剧情介绍
剧情：17世纪的法兰西，在太阳王路易十四的统治下，在欧洲大陆上处于领导地位。当时的法国宫廷渐渐成为一个贵族们娱乐攀比的场所，而太阳王则树立了他的绝对权威。从意大利来的宫廷音乐总监投国王所好，以音乐来获得宠爱，给旧的宫廷带来一股新鲜血液，和国王一起反叛教会的管制，并和当时伟大的剧作家莫里哀一起创造了新的戏剧形式。
Corbiau repeats the Farinelli formula, artistic rivalry and social private drama expressed in dazzling, sometimes excessively lavish baroque scenery, music and costume, but this time in its ultimate setting: Versailles. There are two protagonists - first the title character, Louis XIV, the French sun-king who has two passions, establishing absolute rule over the realm -after decades of religious/civil wars- by divine right and artistic brilliancy as a dancer (like Nero wrote and performed musical poetry), and starts asserting himself against the entourage of his Medici mother, the regent during his minority, by building his palace complex and launching a 'fitting' new, mainly musical display of baroque show. Secondly the musical genius Gianbattista Lulli ('Jean-Baptiste') Lully, a Florentine upstart of unbridled ambition, quickly gains the king's absolute trust, despite the nationalist and aristocratic opposition to a low-born Italian, and thus turns the normally socially humble post of court composer into a 'ministerial portfolio of culture' of Cabinet rank, complete with a monopoly which kills of his artistic rivals in operatic theater. The script also weaves a complex web of court scheming for individual power and social interests, and even a sadistic but accidental murder on a young valet, producing a sensuous and sumptuous drama too complex for this format, ending in a freakish but fatal accident. Louis XIV's mother was Ana de Austria (in French, Anne d' Autriche), the daughter of one of the Hapsburgh Kings of Spain. Maria di Medici (in French, Marie de Médicis) was his grandmother, his father's mother. She was dead before Louis XIV reached the throne. Please correct the reference to "his Medici mother"
维基文明史入选篇目，b站中字版+下载版混合观看，b站删了一大半船戏幸好本地还留个下载版
le roi danse, it ne chanter pas. 合着连国王偷情都要Lully在帐篷外指挥乐队做背景音乐啊……
吕里、莫里哀、路易十四间的爱恨情仇——是人性的扭曲还是道德的沦丧？宫廷指挥为何自戳脚背？宫廷乐手为何聚众霸凌？男演员为何被深夜割喉？作曲家为何跪舔国王？剧作家频频咳嗽，是被对手下药还是顽疾所致？女歌唱家的倒戈背后隐藏着什么？请收看由MAK与goebel倾情配乐的《王者之舞》。
3.5。1.现实总是把人逼成阴晴圆缺的月亮，而只有在跳舞时才成为熠熠的太阳。2.宫廷布景超美，尤以花园外景为甚。3.伯努瓦·马吉梅拍于[钢琴教师]前，同样大尺度演绎。
华而不实的历史八卦商业片
美到飞起的片子啊…为此还找出了文艺复兴时期的法国音乐来听…
电影情节马马虎虎，但人物很美，音乐太赞了，吕利不愧为法国歌剧创始者，以力量著称的音乐用在王者之舞上真是太合适不过了。华丽的巴洛克宫庭音乐——听得我头皮发麻
看的时候总是情不自禁地把路利和卡拉瓦乔联系起来，被牵制的艺术家总是很悲惨的。还有，没想到片中莫里哀的形象是那样的，一时难以接受。
某支曲子在N部法国古装片里用过
Voila qui est nouveau.
从十四岁时的“美仪容”的少年傀儡王，到亲政初期的不自信与恐惧，到满怀雄心大志、建功立业，以及中年之后的挥霍无度、日渐麻木……最后，路里死去，他也感受到岁月无情，在凡尔塞惆怅自语：今夜，没有音乐了。
剧情很滥；但是配乐、服装、场景很赞。
好看 无论是男主角 服饰 还是剧情
宏大磅礴的排场震慑人心
华丽啊华丽啊