剧情介绍
讲述了一个印度砖厂的男孩想改变人生、去上学打板球的故事。
The story of a young boy who attempts to escape from the brick kiln where he is forced to work as a bonded labor slave in India.
Does slavery still exist? In modern Maharashtra, Kavi, perhaps 10, lives with his parents at a brickworks, where his father is indentured. The energetic Kavi sees himself as the boss's fastest worker. In the family's single room - with a metal door an overseer bangs each day to call the workforce - there's a small plant the family calls its farm. The boss seems to appreciate Kavi's enthusiasm, but a beating is never far away. Besides pride in his industry, Kavi has dreams: to join other boys in a game of cricket and to go to school. His parents tell him it's not for him. Then, Kavi has a brief encounter with two men asking questions about the brickyard. What should Kavi do? How much should he risk?
The story of a young boy who attempts to escape from the brick kiln where he is forced to work as a bonded labor slave in India.
Does slavery still exist? In modern Maharashtra, Kavi, perhaps 10, lives with his parents at a brickworks, where his father is indentured. The energetic Kavi sees himself as the boss's fastest worker. In the family's single room - with a metal door an overseer bangs each day to call the workforce - there's a small plant the family calls its farm. The boss seems to appreciate Kavi's enthusiasm, but a beating is never far away. Besides pride in his industry, Kavi has dreams: to join other boys in a game of cricket and to go to school. His parents tell him it's not for him. Then, Kavi has a brief encounter with two men asking questions about the brickyard. What should Kavi do? How much should he risk?
第550部。本来五十部看一部库布里克，但是最近看片状态不好遂作罢。很成熟的学生作品。
最后结尾镜头 踩泥 印象深刻
消逝的童年。结尾的脚印，和《指匠情挑》（《小姐》）的撕书异曲同工，反叛、复仇、摧毁、新生。
社会关怀
ISFVF
这导演运气满满～
厦门理工的艺考题
第一次见到名导，还是个外国人。
真的挺无聊的。。。
情节挺弱。踩在砖块上的脚印，是现实的桎梏和反抗
a bonded labor slave ？；modern-day slavery... 天呐！！！ cricket板球；
脚掌，深深踏出了一个悲戚童年的烙印。
世界，拜托好些
通过小男孩卡维的视角，曝光了私人造砖厂对工人的非法奴役。本片的构图、调色及用光都很出彩，着力展现了暖色调背后的阴冷与残酷。
假如没有触及悲剧的实质，一切滥情都是隔靴搔痒。