剧情介绍
冷漠的面孔，行进的人群，那一抹抹红色点缀着布拉格街头的寒冷，让温暖流淌在匆忙的交错过往之间。
车站自是离别伤感之所，身为道桥扳道员的父亲（Vladimír Javorský 饰）抱着儿子拉多（Ladislav Ondrej 饰）穿梭在离别的人群之中，看他们喜乐哀伤诀别亲人、诀别爱人、诀别曾留下足迹的城市。
父子俩的生活简单质朴，幸福却从未因家庭的不完整而有半点缺失。儿子祈求第二天去父亲的工作场所，谁曾想这却是一个改变很多人一生的约定……
本片荣获2003年棕榈泉国际短片电影节最佳影片奖、2003美国温馨电影展（HeartLand Film Festival）水晶心奖。 Most is the story of a single father who takes his eight year-old son to work with him at the railroad drawbridge where he is the bridge tender. A day before, the boy meets a woman boarding a train, a drug abuser. At the bridge, the father goes into the engine room, and tells his son to stay at the edge of the nearby lake. A ship comes, and the bridge is lifted. Though it is supposed to arrive an hour later, the train happens to arrive. The son sees this, and tries to warn his father, who is not able to see this. Just as the oncoming train approaches, his son falls into the drawbridge gear works while attempting to lower the bridge, leaving the father with a horrific choice. The father then lowers the bridge, the gears crushing the boy. The people in the train are completely oblivious to the fact a boy died trying to save them, other than the drug addict woman, who happened to look out her train window. The movie ends, with the man wandering a new city, and meets the woman, no longer a drug addict, holding a small baby. Other relevant narratives run in parallel, namely one of the female drug-addict, and they all meet at the climax of this tumultuous film.
车站自是离别伤感之所，身为道桥扳道员的父亲（Vladimír Javorský 饰）抱着儿子拉多（Ladislav Ondrej 饰）穿梭在离别的人群之中，看他们喜乐哀伤诀别亲人、诀别爱人、诀别曾留下足迹的城市。
父子俩的生活简单质朴，幸福却从未因家庭的不完整而有半点缺失。儿子祈求第二天去父亲的工作场所，谁曾想这却是一个改变很多人一生的约定……
本片荣获2003年棕榈泉国际短片电影节最佳影片奖、2003美国温馨电影展（HeartLand Film Festival）水晶心奖。 Most is the story of a single father who takes his eight year-old son to work with him at the railroad drawbridge where he is the bridge tender. A day before, the boy meets a woman boarding a train, a drug abuser. At the bridge, the father goes into the engine room, and tells his son to stay at the edge of the nearby lake. A ship comes, and the bridge is lifted. Though it is supposed to arrive an hour later, the train happens to arrive. The son sees this, and tries to warn his father, who is not able to see this. Just as the oncoming train approaches, his son falls into the drawbridge gear works while attempting to lower the bridge, leaving the father with a horrific choice. The father then lowers the bridge, the gears crushing the boy. The people in the train are completely oblivious to the fact a boy died trying to save them, other than the drug addict woman, who happened to look out her train window. The movie ends, with the man wandering a new city, and meets the woman, no longer a drug addict, holding a small baby. Other relevant narratives run in parallel, namely one of the female drug-addict, and they all meet at the climax of this tumultuous film.
文艺片包装的雷锋的故事…
@米粒喵 说实话我不太喜欢这电影哎。为了讲一个道理而编一个太过扭曲的故事，含义太明显，个人不太喜欢这个样子，尤其那个红帽子女孩的部分，太说教。不过爸爸的面对苦难的态度，还是很比较令人佩服的，虽然曾经这样的伤痛，但还是能够微笑地看着别的孩子，能抬头看看天，让我知道他还是能够好好地活下
我就知道会出事！
经典的道德悖论银幕版，为那一声撕心裂肺的悲怆叫喊所震恸。如果抬起头能看到闪闪发光的北极星，请相信那是有人在想念和凝视。片头和片尾的钢琴曲大爱
捷克片怎么堕落成这样了啊
古老的道德选题，火车真是人类最好的道具
1.忧伤如滴在宣纸上的水渍一般在心中缓缓地扩散开来，转眼布满了整颗心脏；2.那一年的冬天，雪来得特别的早，又特别的频繁；3.有时候，一个美丽又带着幸福的微笑便足以化解另一个人心里那打了死结的悲痛；4.冷艳的天空，凛冽的空气，只有那一顶鲜红的帽子带给生活一个温暖。
经常路遇陌生婴孩或幼童冲我可爱甜蜜地笑…有次在威尼斯的一趟渡轮里，前座正太毫无缘由地回转身来，扒着椅背对我咯咯笑了整整一个渡程，其母屡叱而不改…每当此时，我都觉得我们必定是偶然重逢在此生的前世旧相识，彼此那么熟悉。
文艺装逼向，请慎重
真特么受不了一个小孩的死亡换来一起意外怀孕应shi没shi的新生儿的故事。
治愈系无感
最不喜欢这种情节！为什么爸爸不把儿子带到工作间，非要把他一个人留在下面，明明就很大可能发生意外？！为什么儿子在这种时候总是会不听话？看得我一肚子火，我就是庸俗，看不到深层的层面。
道德两难境，生死两重天。
真生硬，真英雄主义，真董存瑞！中国在当时应该是特别喜欢和需要这种类型的电影。
美丽的色调，冷艳的配乐，精彩的人物，沉重的人生