剧情介绍
一次偶然中，保罗（Jérôme Robart 饰）结识了名叫弗雷德里克（路易斯·加瑞尔 Louis Garrel 饰）的画家，两人很快就成为了朋友。在弗雷德里克的家里，保罗遇见了女演员安格丽（莫妮卡·贝鲁奇 Monica Bellucci 饰），安格丽的美艳和奔放瞬间吸引了保罗的注意，保罗很快就坠入了爱河不能自拔。
为了追随安格丽，保罗跟随她来到了意大利，在这里，保罗成为了安格丽的同行，但是，初来乍到的他只能做群众演员。在工作中，保罗遇见了他的同行伊莉莎白（席琳·萨莱特 Céline Sallette 饰），两人一见如故。弗雷德里克邀请保罗到罗马游玩，保罗带上了伊莉莎白，一段复杂而换乱的感情关系就此展开。 Frédéric and Angèle are a married couple, he a painter, she an actress of some renown who gave up her career to be with him. She is a woman who most men desire. Struggling actors Paul and Élisabeth, neither who has any money, start to date after they meet as extras on a movie set. Shortly before Paul and Élisabeth met, Frédéric and Paul became friends after being introduced by a mutual acquaintance. By association, all four become friends, especially strengthened when Paul and Élisabeth decide to move into Frédéric and Angèle's spacious apartment in Rome. Following an attempted suicide by Frédéric, Paul reflects on the friendship between the four. Because of physical proximity, they couldn't help but become closer emotionally. So whenever something happened within one of their lives, either directly concerning one or more of the others or not, it couldn't help but affect the other three, the battle lines more often drawn not by couple but by gender.
为了追随安格丽，保罗跟随她来到了意大利，在这里，保罗成为了安格丽的同行，但是，初来乍到的他只能做群众演员。在工作中，保罗遇见了他的同行伊莉莎白（席琳·萨莱特 Céline Sallette 饰），两人一见如故。弗雷德里克邀请保罗到罗马游玩，保罗带上了伊莉莎白，一段复杂而换乱的感情关系就此展开。 Frédéric and Angèle are a married couple, he a painter, she an actress of some renown who gave up her career to be with him. She is a woman who most men desire. Struggling actors Paul and Élisabeth, neither who has any money, start to date after they meet as extras on a movie set. Shortly before Paul and Élisabeth met, Frédéric and Paul became friends after being introduced by a mutual acquaintance. By association, all four become friends, especially strengthened when Paul and Élisabeth decide to move into Frédéric and Angèle's spacious apartment in Rome. Following an attempted suicide by Frédéric, Paul reflects on the friendship between the four. Because of physical proximity, they couldn't help but become closer emotionally. So whenever something happened within one of their lives, either directly concerning one or more of the others or not, it couldn't help but affect the other three, the battle lines more often drawn not by couple but by gender.
混乱的关系，脸盲了都。
不爱是可怕的
不在爱情中爆发，就在爱情中死亡。偷欢不可怕，不爱才可怕。
2023-6-22 想看 2023-7-11 看过 画家与演员
莫妮卡·贝鲁奇选片的眼光真的，怎么说呢，就好像也很缺钱一样。
第三次在加瑞尔的电影里看路易上演自杀戏码了……
仍然是为了俊男靓女而看，特养眼。
4.5星。40度的高温躲在空调房里看《炎炎夏日》是合适的。衬衫和墙壁的颜色好配，好好看的深蓝色和深绿色。“Men always blame you for what they do to you.”／“I hate men who want to control everything.”
3.5
脆弱又热烈的爱情在夏日中慢慢失去方向。Truth Begins 真是好听啊～
可能一些和艺术家工作的心理阴影还在，影响了我客观地看待这片——就男人要悲伤地在车中死去，女人要悲伤地赤裸躺在床上发出邀请，身体和心各要麻木一个才算了事是吗，🙃，老套无聊，甚至两个神颜都看起来很疲惫
因为自察不会有这样的爱情，看到片中人为爱流泪癫狂失落快乐的浓烈情绪很是震撼，配乐还不错
影片使用倒序手法，开篇就是好友发生车祸，然后男主以自己的视角开始描述好友那浪漫而又糟糕的爱情。影片的剧本既没有深度又没有爽点，看起来让人昏昏欲睡。配乐忽有忽无、时大时小，让人睡的并不踏实。演技平平无奇，作为意大利女神莫妮卡•贝鲁奇这部影片接的着实失败，而且暴露了自己身材的魁梧。本片具有法国影片的通病，散漫而琐碎、重点不突出，还美其名曰艺术，其实就是落后落伍了，就如同近些年好莱坞的电影同样陷入了政治正确和套路化一样。任何一国电影的没落，其实都是从自命不凡、自以为是和利益固化开始的。
蹩脚艺术家。加瑞尔这一家人真的都神神叨叨的
4.5