剧情介绍
《在海上的两年》导演本·里弗斯新作，导演本·里弗斯在随行奥利维尔·拉克谢（本片男主角）的《含羞草》剧组时，借用《含羞草》剧组即兴拍摄的一部实验性电影，故事设定在摩洛哥的撒哈拉沙漠，用现实主义的方式拍了个特别离奇的寓言故事。获得第68届洛迦诺国际电影节的金豹奖提名。
At the heart of the film's multiple narratives is an adaptation of A Distant Episode, the savage short story set in Morocco by American author Paul Bowles, first published in 1947. Moving between documentary, fiction and fable, "The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers" observes its protagonist, filmmaker Oliver Laxe, directing his own film Las Mimosas in Morocco, only to walk off set and into Rivers' narrative. Shot against the staggering beauty of the Moroccan landscape, from the rugged terrain of the Atlas Mountains to the stark and surreal emptiness of the Sahara, with its encroaching sands and abandoned film sets, Laxe is drawn into a hallucinatory and perilous adventure of cruelty and madness to form a multi-layered excavation into the illusion of cinema itself. "In a café in Morocco, about 50 years ago, Paul Bowles overheard a man, high on kif, say the title of this film. And so he wrote a story around this statement, a story that moves between...
「The Two Eyes Are Not Brothers」何况路人，在广袤天地下，世界和本我都在无限撕裂，从这个意义上来说是一种语言，也是一种现实。
dead can dance
后半段就越来越单义了...
到了电影院才发现故事是在摩洛哥 一阵后怕
开放和多义成为懒散及思路混乱的借口
想法挺好，表达未免过于模糊。
前半段像是拍摄的幕后纪录片，后半段则完全没有看懂。结尾的镜头不错，一生叮当响奔向落日的方向，谁也无法阻止～
有点不知道该说这样子用混杂纪录场景和虚构素材手段后所达到自反效果的实验式纪录片究竟是高明呢还只是小聪明（3星为纯粹观感而言，有可能是我没抓住评论的重点...
1934 Time：2018-7-16
名字系列。
枯燥的寓言故事，好在画面还有点儿意思
属于side project，在沙漠里顺便多拍的一部电影
汽油桶作鼓，铁皮罐头人起舞，古道悬崖瘦马，川流不息峡谷，夕阳西下，铁皮罐头人在天涯
每一帧的构图和色彩都挺好看的，然鹅结合在一起就不知所云了。不过看在导演是就地取材拍出来的实验片，隐喻下的寓言故事又何必深究。
電影取名新思路May Tomorrow Shine the Brightest of All Your Many Days as It Will Be Your Last