剧情介绍
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Mary Jane tries to light the oven. When she's unsuccessful, she plays around, getting black boot polish on her face. She mugs before a mirror. Then, it's back to work. When the stove still won't light, she pours in paraffin, winks at the camera, and lights a match. Kaboom! Is there any rest for the foolish, even in the grave?
补签。布莱顿学派对剪辑的探索。
更为复杂的剪辑手法和景别拍摄,已经是一部完整的当代电影短片了。舞台表演痕迹略重
蜘蛛侠的女友玛丽简,做家务楞画出了希特勒似的小黑胡,打破四面墙对观众挤眉弄眼,然后炸飞了自己,从烟囱升天。到了墓地还不消停,白影还魂吓跑祭奠人……简由导演史密斯的妻子扮演。可谓最早兼最黑的史密斯夫妇!
【4M】英国布莱顿学派早期电影。远景镜头切入中景镜头,利用更近的镜头引导注意力,有创造连贯性的企图,成为之后主流电影制作连贯性风格的基础。
1903-英国布莱顿学派,叙事完整,中近景切换,停机再拍,在无声电影时期,用道具上的文字达到信息传达目的(Paraffin桶,墓碑文字特写),演员看向镜头,翻页特技转场。PS:请问鬼魂的特效怎么实现的?
Editing is used in a remarkably sophisticated way. Although the actor's position is usually not matched well at the cuts, there is a general attempt to create a continuous action while using closer shots to guide our attention.
mark:布莱顿学派,分镜头,特技摄影,手法高超!
George Albert Smith - 07,影片使用了相当复杂的剪辑手法。影片通过一个慵懒女佣的远景与女佣的中景的交替剪辑,表现她滑稽的表情。虽演员的位置并没能与剪接完美的配合起来,但目的还是达到了——试图制造连续动作效果,通过近、景镜头引导观众注意力。这在此后的五十年里发展成为主导镜头剪辑基规。
http://www.youtube.com/watch?v=QCm51fg5hpk
景别不同的流畅性剪辑(多镜头),喜剧,奇幻剧,特效,翻页转场,鬼魂显灵!
很完整的故事,世界电影史课上看
英国布莱顿学派 1903 史密斯
Laura Bayley, the most prolific British actress of the period and the wife of director G.A. Smith, shows her flare for clowning in this uproarious black comedy. Mary Jane learns that lighting your hearth with a tank full of paraffin may not be the safest of household chores, in a
here lies her.... in pieces....
反串了竟然,还科幻了,最后惊悚了