剧情介绍
暂无
In the Alpine village of Tolzbad in the 1800s, the townsfolk talk quietly and restrain their movements lest they incur avalanches. This atmosphere lends itself to repressed emotions - shown through the parallel stories of butler student Johann lusting after his mother (an old flame of the mysterious Count Knotkers) and Klara's attraction to her father (who lusts after his other daughter), leading to duels and suicidal plunges galore. All this is shot in the style of an early German sonal film, complete with intertitles, crackly sound-track and 'hand-tinted' colour effects.
没有看明白什么意思,像素好差,剧情也比较晦涩,实在勾不起让人欣赏的兴致。
磕了药的哈姆雷特和弗洛伊德,tinted yellow的画面还蛮有趣的。3.5 (导演现在居然在哈佛教书,而wes这种真正一堆cinephile kids的却只有shiggins这种垃圾真是浪费人才)
3.5/5 35mm print at Walter Reade Theater
颜色转换,黑暗童话,接受无能
开篇就是荒诞压抑的设定,村里一片静默。爱情之花悄悄绽开,五颜六色的画面,模糊的画质,人物说话声音都轻飘飘的,有种奇妙的梦幻感,整个故事就是梦境,没有清晰的逻辑和线索,意识流表现手法。恋母情结的主题,儿子们痴迷于母亲。Klara和恋母的男孩们相爱,同时又迷恋自己的父亲,总之就是各种畸恋
耍宝-04/03/16 at MoMI
真pro-incest。啊incest真美!| 导演不出意外地可爱着,看着地板说话很溜
shenmegui
Pas compris, pas compris TAT
导演的风格真是掏心掏肺欣赏不来
3.5。1.默片式蓝绿黄色彩更迭。2.橘红色调的激情床戏。3.群男沐浴如[水手奎莱尔]附体。4.蛛网幽灵。5.后半段访谈中,导演谈及里芬斯塔尔对他的影响。PS:每次评论盖伊马丁,我总是害怕会过度阐释,抑或陷在自己的意淫里。不过,好电影就是用来被“曲解”的罢。
好多欧洲黑暗童话的桥段?这么多德国名字,没有编辑修改过的格林童话?导演提到他最后一部电影要用french symbolism illustration
画面不错,默片风格,二次上色~我就不费劲的理解你的怪诞和表现主义了盖伊师傅
味很正!可惜我没看进去…改日还要再看一遍。
盖伊 马丁的哈姆雷特!