剧情介绍
從台灣的海岸線到紐約史丹頓島,一片末日荒景充斥著電子垃圾,人們不斷游移在邊緣,不願意進入消費主義掛帥、白人種族主義至上、異性戀主宰的社會。
《鮮殺》作為鄭淑麗首部劇情長片,由知名美籍菲律賓裔作家傑西卡.哈格多恩(Jessica HAGEDORN)編劇,透過科幻場景,揭示全球環境危機與種族主義世界觀環環相扣。片中一對跨種族女同志情侶捲入一場藉由污染的生魚片進行全球工業廢棄物交換的跨國不法勾當,並開始與發展中國家的行動組織結盟,向主流社會反擊。影片結合數位媒體和網路空間題材,呈現網路駭客、公眾廣播、跨國媒體等媒體景觀,不但探討了網路科技的大舉入侵,也預示了未來跨國媒體與資訊駭客之間的衝突。 Two young lesbian parents, Shareen and Claire are raising their five year old daughter Honey in a converted garage on Staten Island. Shareen salvages refuse with her pickup truck while Claire waits tables at the hip Naga Saki restaurant in Manhattan, caught up in a global exchange of industrial waste via contaminated sushi. As a ghost barge bearing nuclear refuse circles the planet in search of a willing port, household pets begin to glow ominously and then disappear; people start speaking in tongues. The crisis escalates when a multinational corporation is implicated, the couple's daughter Honey mysteriously vanishes, and a group of young New Yorkers strike back in an unlikely alliance with activists in the developing world.
《鮮殺》作為鄭淑麗首部劇情長片,由知名美籍菲律賓裔作家傑西卡.哈格多恩(Jessica HAGEDORN)編劇,透過科幻場景,揭示全球環境危機與種族主義世界觀環環相扣。片中一對跨種族女同志情侶捲入一場藉由污染的生魚片進行全球工業廢棄物交換的跨國不法勾當,並開始與發展中國家的行動組織結盟,向主流社會反擊。影片結合數位媒體和網路空間題材,呈現網路駭客、公眾廣播、跨國媒體等媒體景觀,不但探討了網路科技的大舉入侵,也預示了未來跨國媒體與資訊駭客之間的衝突。 Two young lesbian parents, Shareen and Claire are raising their five year old daughter Honey in a converted garage on Staten Island. Shareen salvages refuse with her pickup truck while Claire waits tables at the hip Naga Saki restaurant in Manhattan, caught up in a global exchange of industrial waste via contaminated sushi. As a ghost barge bearing nuclear refuse circles the planet in search of a willing port, household pets begin to glow ominously and then disappear; people start speaking in tongues. The crisis escalates when a multinational corporation is implicated, the couple's daughter Honey mysteriously vanishes, and a group of young New Yorkers strike back in an unlikely alliance with activists in the developing world.
very cool concept execution is kind of bad but overall beautiful
像格雷格·荒木和亚力克斯·考克斯合拍《阿尔法城》。
反抗大财团mass media 和环境危机能拍得这么纽约式混沌诗意且合理植入当代艺术和先锋爵士 看完在戏院直接鼓掌了
一场今年第一部WTF电影,电视这一个媒介的应用极妙,音效剪辑实打实地整出了语言恐怖谷效应,对镜独白试图打破第四堵墙这个手法被用得太多了到最后已经失去了新意。其实和异性恋没啥关系,和种族议题有一点关系,主要还是落脚在环境议题上,但是过于刻意地语焉不详真的让人看得很累。
两位女主的床戏还是挺火辣的
哈哈其实很有潜力的,涩谷系电影。
antimainstream
4.0
蛤?(二點五)
喜剧,大团圆,he了
这导演绝对是个神仙级的奇葩人物,两个年轻的女同性恋父母 Shareen 和 Claire 在史坦顿岛的一个改建的车库里抚养他们五岁的女儿 Honey。Shareen 用她的皮卡车打捞垃圾,而 Claire 在曼哈顿时尚的 Naga Saki 餐厅等待餐桌,她因受污染的寿司卷入了全球工业废物交换中。一艘载有核废料的幽灵驳船在地球上盘旋寻找合适的港口,家养宠物开始发出不祥的光芒,然后消失;人们开始说方言。当一家跨国公司受到牵连,这对夫妇的女儿霍尼神秘消失,一群年轻的纽约人与发展中国家的激进分子结成一个不太可能的联盟进行反击时,危机升级了。顺带一说,她17年的流动体也是一部艺术范很牛批的片子,稀有1080p
好tm奇葩的台湾导演啊!!!!