剧情介绍
修女 Maryam 早打算一生待奉上帝，照顧修道院的年邁修女終老。一天年輕俊朗的神父到訪，愛情竟赫然來臨。當信仰與靈魂被愛情的惡咒摧毁殆盡，她脫不了夏娃的疑惑，經歷凡人的軟弱。修道院的清心寡欲，頓變詛咒的可怕地獄。但上帝不是教導人「愛人如己」嗎？雅加達新晉導演Ertanto Robby Soediskam首次導演長片，先問觀眾真愛何罪之有，把愛慾的複雜、隱蔽和痛苦深刻地揭示出來。原罪的寓意隱晦，罪與贖的宗教含意呼之欲出。女星 Maudy Koesnaedi 的安靜內斂，蘊藏著深刻而強烈的愛，把愛情中不同敏感、搖曳、不安的反差拿捏德又準又狠。男星 Chicco Jerikho 英俊帥氣，如溫暖陽光，年輕似是一種原罪。
Semarang 1998, Maryam who was born in a Moslem family, was assigned to help a nursing house in Ambarawa. Maryam meets seven elder nuns where they live in an inhumane condition. Maryam tries her best to help the retired nuns. Maryam does her daily activity to maintain the church. She does all the work including house cleaning, bathed the elder nuns, preparing the food for those who needed, and also sun-bathes the elder nuns every morning. During Maryam's tough time, she is informed that there will be new pastor to lead the church named Yosef and they start to get to know each other. Yosef who is liberal, contradicts Maryam's character, but somehow that was the kind of conversation that Maryam wants. They are getting more intense than ever. Maryam starts to have feelings to Yosef. Yosef and Maryam begin their relationship, but this resulted in Maryam's negligent towards her task. She arrives at the nursing home late where she is supposed to prepare the food for the elder nuns and she ...
實在缺少豐富度，好像一篇立意深刻的小學生作文，你清楚知道每個角色和鏡頭的意義就變得毫無意義和觸動。處處流露著刻意……只能說還青澀吧導演
是畫面配樂好過情節本身許多的一套戲。對稱式的構圖，靜態的環境中活躍著動態的人物，很油畫了。如果心中未清信仰和執念，想要撒手選擇絕對自由和跟隨心意，是比登天還難啊。
在一个穆斯林社会讲一个天主教故事，演员也全由穆斯林饰演，不只是禁忌，而且是少数的禁忌。但没想到导演将这个真实事件处理成了现在这样由形式感主导的电影，对称构图的呆板闭塞贯穿全片，修女名作Maryam，神父又叫Joseph，再加上那场两人之间的告解，很难区分究竟是人物还是符号，也难进入导演所谓要探索人物内在的表意之内。大概观众也对影片不太买账，映后只是一再追问：那真实的他们后来怎么样了？可见影片的去猎奇处理更加难得。