剧情介绍
本片讲述了7个伊朗女性的悲惨故事。妇女从医院领到了尚在襁褓中的女儿，但是她并不开心，因为此前的超声波显示，她怀了一个男童，如今倒凤颠鸾，令她措手不及。当地重男轻女的风俗，令她如堕冷宫。刚出狱的女孩跟女伴到处找钱，历尽千辛万苦，凑齐了钱，却最终怯于踏上返乡的列车。未婚先孕的少女被哥哥扫地出门，在男友死亡后只得去做了人工流产，出狱后的中年女人发现男人已出轨。当了护士的女孩想方设法帮她，自己的婚姻却陷入僵局……
本片获57届威尼斯电影节最佳影片金狮奖。 In a hospital waiting room a woman learns her daughter, Solmaz Gholami, has just given birth. The ultrasound test had prepared the family for a boy. The baby, it turns out, is a girl. The joy the mother anticipated turns to terror for she knows her son-in-law's family will abandon her daughter. The old woman flees as the in-laws arrive. On the crowded streets of Tehran - a place where women are not permitted to stay out on their own or smoke in public - two women are also on the run. Arezou and Nargess have just been granted temporary leave from prison but they have no plans to return. They manage to scrounge together enough money for the bus trip to Nargess' hometown, but she lacks proper identification, and the police are searching everyone at the station. Meanwhile, their friend Pari has just escaped from prison in order to have an abortion. Threatened with death by her brothers, she flees from her father's house and meets with a former inmate, Elham, who is now married to a doctor and works in a hospital. Despite her connections, Elham is unable to help Pari in her hour of need. Despondent, Pari wanders the streets and chances upon Nayereh, a woman about to abandon her young daughter. Pari tries to stop her, but it is too late. Soon after, Nayareh, falsely accused of prostitution, is taken into custody by the police. As Panahi's narrative shifts dynamically from woman to woman, their stories culminate with tremendous potency, transforming a shared sense of despair and injustice into one kinship, and even hope.
本片获57届威尼斯电影节最佳影片金狮奖。 In a hospital waiting room a woman learns her daughter, Solmaz Gholami, has just given birth. The ultrasound test had prepared the family for a boy. The baby, it turns out, is a girl. The joy the mother anticipated turns to terror for she knows her son-in-law's family will abandon her daughter. The old woman flees as the in-laws arrive. On the crowded streets of Tehran - a place where women are not permitted to stay out on their own or smoke in public - two women are also on the run. Arezou and Nargess have just been granted temporary leave from prison but they have no plans to return. They manage to scrounge together enough money for the bus trip to Nargess' hometown, but she lacks proper identification, and the police are searching everyone at the station. Meanwhile, their friend Pari has just escaped from prison in order to have an abortion. Threatened with death by her brothers, she flees from her father's house and meets with a former inmate, Elham, who is now married to a doctor and works in a hospital. Despite her connections, Elham is unable to help Pari in her hour of need. Despondent, Pari wanders the streets and chances upon Nayereh, a woman about to abandon her young daughter. Pari tries to stop her, but it is too late. Soon after, Nayareh, falsely accused of prostitution, is taken into custody by the police. As Panahi's narrative shifts dynamically from woman to woman, their stories culminate with tremendous potency, transforming a shared sense of despair and injustice into one kinship, and even hope.
看了英文字幕的，加上帕纳西的访谈。阿巴斯和帕纳西是独立于任何传承的一代，在作为伊朗电影导演的成长中，他们主动地拒绝了外界形式的干扰。于是，这些让人觉得惊喜和过分跳脱的形式创新，也许根本就没有任何创新，只是在独晤摄影机的时候，他们发现了一种拍摄伊朗的可能方式。电影始于格里菲斯，止于阿巴斯——戈达尔沉重的评语，对阿巴斯而言意味着什么？他也许始终把戈达尔当成一位真诚的观众，他鼓舞人心的评语，与那位在观看电影时睡着了的妇女占据着同等的权重。在这些干净的创意中，人们总是更多地感受到真诚和不可能性，这么一种无根的传承，居然被这两位做出来了。评委们在面对他们时，脸上浮现的惊讶，是与初次听闻雅纳切克的音乐时一致的惊讶：他们创造着，就好像此前不曾存在过电影。
小情节叙事并不拖沓，不同女性的悲惨命运触及到情感、婚姻、家庭和政治人权多个层面，叙事看似平静却将矛头直指伊朗无人道的男权统治，反思冷静犀利。
二十多年前选“女性社会地位及其选择”这样的议题无疑是非常前卫的，光是题材就是威尼斯的菜了，特别是整片好似在看dvd一样的模糊像素，似乎是在告诉你：那么真实，这就是我们生活的现状。小片段感觉剧情部分还是不够丰满，好了剩下的就是感谢贾法为我们女性发言
想把天上的星星摘给你，却发现它们早就在你的眼睛里。
连贯性不好的分段故事很难拍好，这部也没有做到，特别是封面女孩的故事，那一段我是想打两星的，好在其他段还可以，前六个女孩都没有点着烟这一设计尤其渲染了悲的氛围。
她们在男性的世界里游荡
3.5
伊朗🇮🇷影片，整体色调和气氛和伊朗女人身上仅仅漏出一张脸或一双眼，而裹满的黑纱一样沉重压抑，令人窒息。。。女人，在这样的国家和社会被糟践的一文不值，最让人绝望的是，没有盼头。。。
除了控诉还是控诉
当了修女或者尼姑👩🦲的目的是 ：人间无争
时间不逝，圆圈不圆。这是伊朗女性难以挣脱的命运枷锁，如同一个没有开始、没有结尾、没有出路的怪圈。
🇮🇷 དབྱི་རན་བུད་མེད་ཀྱི་ལས་དབང་།
#2022SimulateFF# 17/20
这部影片击败了《站台》，实在很难说服我
伊朗新浪潮第三代：作为一位现代男性，是永远无法对于二十年前伊朗的女性所遭受的苦难而感同身受的，七位女性在同时空中相接力完成故事。静谧的画面下，星星之火正在汇聚。联想到最近发生在伊朗的女性运动，感叹只要坚持，无数个像帕纳西导演这样的努力就不会成为炮灰。