剧情介绍
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As the raging monsoon lashes Mumbai, the commercial and underworld capital of India, the police struggle to keep up with the gangsters who are ever more emboldened. Adi, a principled rookie cop as his first assignment on the force, joins an elite, anti-extortion unit of the Mumbai police led by Khan, a cop in the 'Dirty Harry' mold. On his first evening on the job, Adi had planned to meet his ex flame Anu and to get back with her, but he misses the date when Khan has set up an ambush for a dreaded gangster. However, the ambush goes wrong and Adi chases Shiva, a seemingly armed and dangerous criminal into a dead-end alley. Unsure if Shiva is, indeed, the wanted gangster, Adi has a moment of reckoning; whether to shoot or not to shoot. Whatever his decision is, every decision will take him on a journey that pits him against a system which demands a compromise of his morals. As he lives through the dramatic consequences of each decision, he realizes that every choice has its price... and in doing so, Adi discovers that morality doesn't come cheap.
imdb 6.5
81分钟法版，疑似删了不少血腥镜头。 Neo Noir版《机遇之歌》，导演太贪多，在"three ways in life"中塞入了印度的各种社会顽疾，让电影的视角变得混乱，也让故事显得缺乏重点。至于作为转折点的执法困境，导演很明确的指出了“折中”的第三条路并不存在，甚至连“选择”本身都不存在。无论作何选择，底层的“湿婆”都会为天真的理想主义者唤来毁灭。
2013.11.18
让我对印度电影有了重新的认识。结构类似《蝴蝶效应》，生命的多种可能性，最后一种可能性让人心生感慨。表演到配乐到摄影，都可圈可点，刚开始的剪辑稍微有点硬之外，这片是很完整的工业化作品，也因为这样，可能会觉得相当好莱坞。在兼顾娱乐性的同时，还能探讨诸如腐败等等的剧情，有内容有形式。
Cannes Day 5.Bollywood和Hollywood傻傻分不清楚，不过就电影本身来说，还是保持有一定的水准的。三段式的叙事很吸引眼球， 最后教堂求婚那段的逆转，蛮精彩的。