剧情介绍
主人翁约翰·克利斯提是一名外貌和善的秃头中年汉,谁也想不到他是冷酷无情的连续杀人犯。伊凡因谋杀妻子及尚在襁褓中的女儿而遭起诉,最后被处以极刑,但真正的凶手却是在法庭上担任头号证人的克利斯提。十年后,警方在克利斯提的住处赫然发现多具女性尸体,才揭发了他的滔天罪行。
http://movie.mtime.c om/17443/
London, 1949. John Christie is an unassuming, middle-aged man who, along with his wife Ethel, lives in the ground-floor flat at 10 Rillington Place. His demeanor masks the fact of being a serial killer. His modus operandi is to act as a person with a medical background, lure unsuspecting women to his apartment on the pretense of curing them of some ailment, knock them unconscious with carbon monoxide gas, gain his sexual release through contact with the unconscious body, then strangle the victim dead before disposing of the body somewhere in the house or outside area. His next intended target is Beryl Evans, a young woman who has just moved into the top flat in the house. Beryl's husband, Tim Evans, is an illiterate man who likes to put on airs. Already with an infant daughter named Geraldine, the Evanses learn they are going to have another baby, which they cannot afford to have, nor can they afford to abort the pregnancy. This problem, on top of the constant issue of lack of money in all aspects of their lives, places a strain on the marriage, of which all their neighbors are aware through the constant fighting they overhear. Christie will offer to perform the abortion for free. The difference with this intended murder is that Tim will be aware that his wife will have died, but Christie plans either to goad Tim into keeping silent since the abortion would have been illegal, an act to which Tim would have provided his consent, or pin the murder on Tim who would have motive. Will this change in modus operandi affect Christie's ability to kill Beryl, or kill her without detection?
http://movie.mtime.c
冷静沉着事实说话的罪案片
勉强两分。第六部半理查德·弗莱彻。本片根据真实案件改编,男主阿滕伯勒虽然是个连续杀人犯,但剧情只聚焦他杀死房客姑娘,并嫁祸她老公约翰·赫特这一个案子。约翰在这里总是哭唧唧、傻乎乎的,演技没有多少发挥,阿滕伯勒叫他干啥就干啥,稀里糊涂认罪,当庭指认阿滕伯勒时也毫无魄力跟章法。而阿滕伯勒杀人的动机也未明,这样一个多次杀人的冰恋癖,其精神状态在电影里几乎没有描画,只能看到他面无表情且突兀的一步步陷害约翰。总之,本片角色扁平乏味,案件低智且缺乏曲折起伏。不明白弗莱彻跑到英国拍这么一部片子是为啥,可能就是想借犯罪片这种英国土特产类型片来跟英国同行切磋一下吧。遇害姑娘是朱迪·吉森演得,前两天刚看过她出演的《吾爱吾师》,挺漂亮的女孩。本片战时、地下堕胎的设定实际跟《维拉德雷克》《女人韵事》等片有类似主题
法庭戏平平
8.5,《勾魂手》的反面,非人化的战后社会寓言。
#indicator 4k修复# 前半段的塑造很成功
纯变态
《勾魂手》的反面,开场首先呈现凶手行凶的过程,将叙事暴露在某种人物身体魔化之下,在影片的结尾,他将以虚化的面部特写以及喘息声创造一种非道德化的威胁性的新知觉模式,正如同哈佛感官人类学实验室纪录片。和《勾》类似的是,人物的魔化同样来自于被镜像的光学属性所附身,通过zoom镜头实现了一种“吸入”效果。《瑞灵顿街10号》以一种更新的形式重绘英国战后40,50s短暂兴起的黑色犯罪电影,也标志着理查德·弗莱彻意识形态的左转,很可能受到了福柯生命政治的技术观的影响,《R10》和《绿色食品》均存在医学-规训-死亡的意指链,某种作为强度的(液体/气体)传输装置,令暗无天日的伦敦旧住宅区成为纳粹毒气室的延伸,而理查德·阿滕伯勒所呈现的变态+极度道德感的凶手则是某种对英国式保守主义的反讽,促使观看者对煽情脱敏。
比翻拍的电视剧好多了。这个戏本身就不适合展开拉长。
10.Rillington.Place.1971.LE.Bluray.1080p.DTS-HD-1.0.x264-Grym.mkv 11.9G
MFM 321/322 Tenfold More Murder
英国阴冷小木楼
B
确实狠好哇
个别人物不够立体,剧情设定一定程度上与现实不符。
如果单就剧情来讲,本片并未有什么特别之处,尤其凶手栽赃给约翰·赫特的桥段显得缺乏逻辑,但由于背景设置在战后,所以重点还是想影射战争对人类的异化作用,阿滕伯勒的演技秒掉了当时还很嫩的赫特。