剧情介绍
暂无
During the '35th Cannes International Film Festival' (14th-26th May 1982), German director Wim Wenders asked a sample of 15 other international film directors to get, each one at a time, into the same hotel room to answer in solitude the same question about the future of cinema, while they were filmed with a 16mm camera and recorded with a Nagra sound recorder. In social sciences the goal of standardization is that each person is exposed to the same question experience, and that the recording setting of answers is the same, too, so that any differences in the answers can be correctly interpreted as reflecting differences between persons rather than differences in the process that produced the answer. The wide sampling frame in "Room 666" included European 'auteurs' and Hollywood directors, narrative and experimental filmmakers, male and female professional film directors that presented their films or were simply present at the 35th Cannes Festival in May 1982. The directors came from France, Italy, Brazil, Lebanon, Germany, Turkey, the Philippines and the USA. This unique documentary shows the complete footage (or selected parts) of the 15 answers that resulted from this 'standardized survey interviews'. The historical value of "Room 666" has increased over time: The 5 directors Rainer Werner Fassbinder, Yilmaz Güney, Maroun Bagdadi, Robert Kramer and Michelangelo Antonioni have died since then in this order. Fassbinder died only a few weeks later on June 10th 1982 and gave his last 'interview' in "Room 666".
好为戈达尔委屈啊，感觉他都快要站起来喷美国人了但一直忍着。各个导演的水平和素养在采访中也可见一斑。说实在，即使知道如安东尼奥尼、纳博科夫和博尔赫斯这些人的透彻和成熟，但还是钟爱戈达尔、加缪和昆德拉这些人的孩子气——这两类人都知道他们在打一场必输的仗（政治如是），有的人全身而退有的人明哲保身有的人负隅顽抗。我们固然都是时代的囚徒，但还是喜欢后者对抗时代时身上那普罗米修斯、伊克西翁和西西弗斯的三位一体。那么，我对电影艺术未来的态度也无需赘言了。
待重看
有点无聊。
文德斯的好友，安东尼奥尼，戈达尔，法斯宾德，都在说着同一个答案，这是个另人心痛的答案，那就是接受，接受电影的改变，接受不纯洁。而艺术家的悲剧就是，当他们面临灭顶之灾时，他们依然只会拍电影。年轻影迷看得五味杂陈
赫尔佐格坐下后先脱掉鞋袜再关掉电视哈哈
1982年他们还正经讨论电视会不会取代电影，现在是电视都快要死了
喜欢荷索和安东尼奥尼
又是我最爱的导演见面会式纪录片。关于Godard，Antonioni，Wenders，Spielberg，Fassbinder。电影的未来会由谁书写，时间不容忍最初的美好。
Cinema 已经越来越脱离电影的含义，但并不代表电影的消亡：在他们谈论电影未来的四十年以后。
【1319】戈达尔说的好多！安公又有远见又乐观hhhh
文德斯真是想的出来这些玩意儿…喜欢赫尔佐格和安东尼奥尼的观点 当半个八卦看看
大师们侃侃而谈，脱袜子接地气好有仪式感。
第666部看过，献给《666房间》，献给我爱的电影。片子本身拍得乏善可陈，我并不觉得像简介说的那么有意思，只是出于迷影情怀打了三星。实际上一圈看下来，我最喜欢的是那棵雪松。
哈哈沃纳·赫尔佐格：我得把鞋脱了，你不能穿着鞋回答这种问题
主演: 米开朗基罗·安东尼奥尼 / Maroun Bagdadi / Ana Carolina / 迈克·列昂 / 赖纳·维尔纳·法斯宾德 / 让-吕克·戈达尔 / 霍曼·顾皮勒 / 尤马兹·古尼 / 蒙特·赫尔曼 / 沃纳·赫尔佐格 / 罗伯特·克拉莫 / 保罗·莫里西 / 苏珊·塞德尔曼 / Noël Simsolo / 史蒂文·斯皮尔伯格 / 维姆·文德斯