剧情介绍
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In the reign of the Emperor Suzaku (930- 946 A.D.), various mishaps happen after a strange white rainbow in appearance in the sky over Kyoto. The Emperor orders a famous astronomer, Yasunori, to consult a certain Chinese book of secrets to calm the fear of the people. Yasunori has two disciples, Yasuna and Doman. But he desires that Yasuna succeeds him because Doman is interested only in power. Assisted by Yasunori's wife, Doman sends his follower, Akuemon, to kill Yasunori. Doman also steals the secret book and puts the blame on Yasuna and his sweetheart, Sakaki, Yasunori's adopted daughter. Sakaki commits suicide and Yasuna kills Yasunori's wife in his rage. He retrieves the secret book and sets out on a journey without destination. He meets her younger sister, Kuzunoha, with whom he falls in love at Sakaki's home town. Lord Iwakura, Yasunori's brother-in-low, advices the Court that the Crown Prince has no child and this causes tourmoils. Akuemon is summoned to catch a white female ...
舞台剧加电影结合 传统歌舞好喜欢!有意思
以舞台剧的形式展现狐仙志怪,可谓天马行空,场面虽小,内容却蔚为大观。
好神奇一片 白狐(面罩)现身那段迷之带感 后半段现世与幻境轮转在舞台上 爱为火焰 爱是虚空
虚空的虚空,凡事都是虚空。画面好美,舞台剧的效果太棒了
🥺保名好美丽,道满也真是英俊呀!
LJBD
聊斋玄幽,能乐,梦幻超验,舞台间离
芜湖!没想到人到中年在这部片上找到了儿时看港片时的惊奇感。导演名字好啊,可以和梦枕貘组队,吃梦吐梦。本片就属于胡金铨所说“主题不要紧,故事也不要紧,最重要的仍是表现的技巧。”的那一类片子。起初以为是个权谋片,室内陈设空旷,空间线条优美,服化美,布料头饰质感甚好。现实和舞台空间转换,接受无障碍,好过现在的合成较差不伦不类的视效。狐女变身最朴素的技巧带来最大的惊奇,日本不愧超级无敌变变变之国。机位移动加舞台旋转,我们现在只放在综艺里了,这么一比就觉得《白蛇传·情》虽有视效加持但在表现手法上有其时代局限性。白狐起初是垂涎癫夫的美貌,有恩可报恨不得扑上去,恰是女性情欲在风序良俗下的变异,自以为变作了他夫人的模样,岂知他挚爱的是夫人的双胞胎姐姐,着了色相,错付的痴情到头一场空,但并非不真诚
这部戏的布景真的非常美
吸引我的,是里面所表现出来的道德感。但仍囿于近乎怪谈式的猎奇,而变得有些流俗了
结尾收的仓促 但我喜欢这个故事
超级变变变民族
动画x歌舞伎x电影的葛叶故事,好喜欢
前后的场景割裂感比较明显,后半部分基本就是能剧,狐狸面具,狐火,机关。总的来说,故事略莫名
本片與小林正樹的《怪談》,溝口健二的《雨月物語》類似,皆是出自日本有名的志怪故事,但內田吐夢似乎無意挖掘出其中的驚悚之處,而是著重日式視覺實驗的嘗試(尤其在服裝,佈景,色彩上極其考究),與木下惠介的《楢山節考》倒有異曲同工之妙。此片不似內田吐夢過往作品總是在構圖與節奏上花心思,甚至情節從前半段的歷史陰謀過渡到後半段的人妖淒美戀,也是全無鋪墊,從電影變換到歌舞伎的表現手法上亦是大相徑庭,似乎充斥著一種信馬由韁的想象力。尤其最後一段的歌舞伎表演,叫人看得是如此如痴如醉,全片在一個“未完待續”的時刻收尾,但似乎又是另一個故事的開場。