剧情介绍
本片和特吕弗的《四百击》同被誉为法国电影新浪潮的开山之作。
身无分文的街头混混米歇尔（让-保罗•贝尔蒙多）从马赛偷了一辆小汽车，驶往巴黎的路上，他因超速行驶被警察逮住，为了脱身，他开枪打死一名警察，来到巴黎后，他躲进当记者的女友帕特丽夏（Jean Seberg）处（躲避警方的通缉之外，他还想方设法讨回一笔卖车赚来的钱）。帕特丽夏去报社时，遇到警长，对方要她一有米歇尔的消息就打电话相告。对米歇尔，帕特丽夏心态复杂，一面深深为他对一切都无所谓的劲儿着迷，一面却嫌弃他太吊儿郎当。 Michel Poiccard, an irresponsible sociopath and small-time thief, steals a car and impulsively murders the motorcycle policeman who pursues him. Now wanted by the authorities, he renews his relationship with Patricia Franchini, a hip American girl studying journalism at the Sorbonne, whom he had met in Nice a few weeks earlier. Before leaving Paris, he plans to collect a debt from an underworld acquaintance and expects her to accompany him on his planned getaway to Italy. Even with his face in the local papers and media, Poiccard seems oblivious to the dragnet that is slowly closing around him as he recklessly pursues his love of American movies and libidinous interest in the beautiful American.
身无分文的街头混混米歇尔（让-保罗•贝尔蒙多）从马赛偷了一辆小汽车，驶往巴黎的路上，他因超速行驶被警察逮住，为了脱身，他开枪打死一名警察，来到巴黎后，他躲进当记者的女友帕特丽夏（Jean Seberg）处（躲避警方的通缉之外，他还想方设法讨回一笔卖车赚来的钱）。帕特丽夏去报社时，遇到警长，对方要她一有米歇尔的消息就打电话相告。对米歇尔，帕特丽夏心态复杂，一面深深为他对一切都无所谓的劲儿着迷，一面却嫌弃他太吊儿郎当。 Michel Poiccard, an irresponsible sociopath and small-time thief, steals a car and impulsively murders the motorcycle policeman who pursues him. Now wanted by the authorities, he renews his relationship with Patricia Franchini, a hip American girl studying journalism at the Sorbonne, whom he had met in Nice a few weeks earlier. Before leaving Paris, he plans to collect a debt from an underworld acquaintance and expects her to accompany him on his planned getaway to Italy. Even with his face in the local papers and media, Poiccard seems oblivious to the dragnet that is slowly closing around him as he recklessly pursues his love of American movies and libidinous interest in the beautiful American.
补。“永垂不朽，然后死掉。”
危险而迷人。我把我的虚无交托与你，就像我单方面向犹疑的你输送源源不断的爱。
通篇讨厌至极的男主在倒地那一段魅力值反超至顶峰...by the way 女主讲英语的时候太漂亮太迷人 Good night—
成为不朽 然后死去
不太懂，但是确实经典
一个浪漫的sociopath…败给了一个浪漫的“正直女青年”？
读不懂女人
“你选择痛苦还是一无所有？”完全不闷，真恨自己没有早点爱上戈达尔。
没看懂这个表达的主旨是什么
“在痛苦和一无所有之间，你选择哪一个？” “成为不朽，然后死去。Devenir immortel, et puis mourir.” “在亲吻的边缘，时间是空虚的。很快很快，时间就破碎了。我们的故事既高贵又悲惨，就像是暴君的伪装。没有一个情节是这样惊险又引人入胜。没有一个细节能描绘我们爱情的悲哀。” “告密者告密，小偷偷窃，杀人犯杀人，情人们相爱。” “你更喜欢我的眼睛，嘴巴还是肩膀？”他用手亲了下自己的唇，再触碰了她的肩与臀。爱情的最后是死亡，自由的最后是天堂，像一缕嘴角的雾，一阵裙摆的风。
在痛苦与一无所有之间选择一无所有，于是在爱人面前倒地，抽完最后一支香烟，抚摸嘴唇，想起以往低语的日子，在亲吻的边缘时间是虚无的。逃亡，奔跑，无所事事也筋疲力尽，选择名垂青史，然后死去。
名垂千史，然后死掉。
与其说看不懂，不如说没法接受。可能这部电影的形式在电影界能引发不小的骚动，不过对于门外汉，实在是抓不住它的灵魂。所以为什么总有人要做那些离经叛道的，同主流价值观相违背的尝试？不谈摄影技术，把虚无主义带入电影，我想应该不是对社会有益的。
8/10
一根烟接一根的抽，也好，叼着烟被爱的人打死在街头，总比自己抽死在床上好。男人死在女人手上比死在任何人手上都帅！