剧情介绍
Pansori（朝鲜清唱）西便制歌者俞本（金明坤 饰）带着养女松华（Oh Jung-hae 吴贞海 饰）流浪荒野山村，与一寡母坠入爱河。为避他人口舌，俞本带着爱人、松华以及爱人的儿子东浩（Kim Kyu-chul 金古初 饰）远走他乡。
颠沛流离的生活让寡母过早离开人世，俞本则将一腔心血投在一双儿女身上，立志将他们培养成出色的清唱歌手。受外来文化冲击，清唱这门艺术逐渐被世人所轻视。东浩无法忍受穷苦漂泊的生活，某日不辞而别。俞本则将养女的双眼毒瞎，渴望她专心技艺。
多年后俞本去世，松华漂泊他乡，东浩则遵循姐姐的足迹，寻找生命中业已失去的快乐与幸福…… The specifically Korean tradition that is reclaimed in Sopyonje is the type of folk-song known as pansori, described as a musical sublimation of South-West Korea's collective grief and suffering - in other words, a kind of blues. The film's three central characters are itinerant pansori singers in the 1950s, a time when many aspects of Korean culture came under siege from Japanese and western influences. The story unfolds through flashbacks. A man named Dong-ho is roaming the rural hinterlands, ostensibly to find rare herbal medicines for his employer back in Seoul, but actually in search of Song-hwa, the woman he grew up with. Orphans, they were both apprenticed to the pansori master Yu-bong who pressured them to sacrifice everything for the art. Dong-ho rebelled and ran away, to become the man he is now. Song-hwa stayed, lost her sight, and outlived Yu-bong. Rumor has it that she is still traveling and still singing pansori... The tale has one truly shocking twist, but the overall one is plaintive, elegiac and serenely beautiful.
颠沛流离的生活让寡母过早离开人世，俞本则将一腔心血投在一双儿女身上，立志将他们培养成出色的清唱歌手。受外来文化冲击，清唱这门艺术逐渐被世人所轻视。东浩无法忍受穷苦漂泊的生活，某日不辞而别。俞本则将养女的双眼毒瞎，渴望她专心技艺。
多年后俞本去世，松华漂泊他乡，东浩则遵循姐姐的足迹，寻找生命中业已失去的快乐与幸福…… The specifically Korean tradition that is reclaimed in Sopyonje is the type of folk-song known as pansori, described as a musical sublimation of South-West Korea's collective grief and suffering - in other words, a kind of blues. The film's three central characters are itinerant pansori singers in the 1950s, a time when many aspects of Korean culture came under siege from Japanese and western influences. The story unfolds through flashbacks. A man named Dong-ho is roaming the rural hinterlands, ostensibly to find rare herbal medicines for his employer back in Seoul, but actually in search of Song-hwa, the woman he grew up with. Orphans, they were both apprenticed to the pansori master Yu-bong who pressured them to sacrifice everything for the art. Dong-ho rebelled and ran away, to become the man he is now. Song-hwa stayed, lost her sight, and outlived Yu-bong. Rumor has it that she is still traveling and still singing pansori... The tale has one truly shocking twist, but the overall one is plaintive, elegiac and serenely beautiful.
一曲肝肠断，含悲慷慨歌。成就了盘索里的灵魂高度，融入的却是绑架女儿一生的血泪债。行旅艺人的悲情苦路，被不断出现的高亢刚烈而凄凉的歌声倾情演绎，众生皆苦，唯有艺术永恒。
压迫 压迫 还是他妈的压迫
没有刻意煽情却还是被触动到了，也欣赏到了传统歌谣 /9.8g
了解韩国“恨”文化必看，看的修复版，太清楚了，画面真的没得说。
东方文化从上个世纪开始被慢慢遗落，我们似乎更甚。
孤独而残暴的艺术。
韩国的百鸟朝凤么。求索的艺人，不疯不成魔
阿里阿里郎~ 阿里阿里郎~师徒三人在旷野里起舞，令人怆然泪下
女主角的表演让我老泪纵横，即便是听不懂盘索里这种在现代韩国几乎就要消亡的民间戏剧艺术，也能被角色的表演打动。男女主角的父亲绝对是不疯魔不成活的代表，然而最后一个出场镜头令人赞叹，为了让女儿真正学到“恨”的功课，不惜以自己的全部岁月作为赌注，最后练成了绝世嗓音。许多固定机位镜头和远景让人内心极度悲怆，不能自拔。
蛮感人的，史诗气质是有的，和歌的魅力也是有很好体现的；但叙事视角的问题也是有的，小西八的无语桥段也是有的...
1.即使时代变了，下等人还是下等人。2.啊呖啊呖啷，斯呖斯呖啷。3.彩色的画面，仿佛没有一丝色彩。4.千首悲歌，汇成悲歌一曲。
好的电影总是娓娓道来，慢慢讲述一个故事，要耐得住性子，慢慢品尝。很像《百鸟朝凤》，讲述韩国和歌的故事，兴盛到逐渐落寞。不过好在终还是有人欣赏。姐弟俩的关系也没有迈出一步，但两人已经超越肉体
钝化的reminiscence& sorrow 冰天雪地破茅庐屋里yongbo向被自己毒瞎的songwha宣讲痛苦 @2020-04-12 21:59:10
韩国的“命若琴弦”兼“百鸟朝凤”，而且更为悲怆，很多场景让我联想到第五代导演的作品。
用歌声讲故事。汗和泪的特写。