剧情介绍
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England, 1640s. Civil war and politics interfere with Elvira's plans to marry Arturo, because he is helping Queen Elizabeth escape from the rebels. Elvira doesn't understand any of this, so she goes stark raving mad and sings a cadenza while lying flat on her back, her head hanging upside-down over the edge of the stage. Fearing that she might die of grief or fall over into the orchestra pit, Uncle Giorgio and Riccardo sing the complete version of "Suoni la tromba," including the repeats, and no cuts. Not to be upstaged by any of this, Arturo finally returns from his mission and explains everything by singing a high F above C, the highest note ever composed for tenor voice. There is much rejoicing. It's non-stop, nail-biting action, and Beverly Sills is on hand to provide commentary on the drama.
Disappointing。悦耳动人的音乐也未能挽救演员平庸的表演及乏味冗长的剧本。女主角像个美丽的木偶(从间幕观众的热烈反应看来，她还是个名角)，她的表演和歌唱整体给我一种空洞而缺乏灵魂的感觉，“Son vergin vezzosa”这首堪称全剧最著名也最容易出彩的女高咏叹调，一开口就不足，比起格鲁贝洛娃差了很远.....这部歌剧作为贝利尼暮年收官之作，只能算二流水准，比不上<梦游女>。
大都会歌剧院版 贝利尼的天才之作 ！安娜第二幕那被怀疑笑场的邪魅的一笑！确实有意思 男低音也是牛逼到爆 顶级中的顶级！堪称经典！总体无可挑剔！无可挑剔！
演得比唱得好一点，第一幕最后那句Vivrò d’amor, d’amor morrò太有穿透力了，相比之下第二幕结束就有点无力。mad scene还可以，男高是完全不行。整个老制作很有韵味。当时场外有Beverly Sills观摩点评，她看到这个水准的演出应该颇有想法。
非常棒，唱作俱佳，而且舞美超喜欢。
佩服贝里尼的才华，能写出如此婉转曲折、回味无穷的动听唱段。最值得一说的还是女神安娜，如清酒般醇美的瑰丽嗓音配以连跳爬升花腔令人沉醉；饰演的女主角Elvira的发疯场景是全剧高潮，以一曲“他甜蜜的声音召唤着我...来吧，亲爱的，明月高挂空中”不出意外地歌演俱佳，博得满堂喝彩。