剧情介绍
1971年奥斯卡最佳女主角提名——Carrie Snodgress
1971年金球奖音乐喜剧类最佳女主角——Carrie Snodgress Tina Balser is a bored New York housewife-mother married to Jonathan, a pompous, social-climbing lawyer who ridicules her in front of their children, criticizing everything she does or wears. She begins an affair with George Prager, a dashing, successful and blatantly sadistic writer. Finally after George has tormented Tina in much the same manner Jonathan has, and has been unfaithful to boot, she goes back to her husband and begins group therapy.
1971年金球奖音乐喜剧类最佳女主角——Carrie Snodgress Tina Balser is a bored New York housewife-mother married to Jonathan, a pompous, social-climbing lawyer who ridicules her in front of their children, criticizing everything she does or wears. She begins an affair with George Prager, a dashing, successful and blatantly sadistic writer. Finally after George has tormented Tina in much the same manner Jonathan has, and has been unfaithful to boot, she goes back to her husband and begins group therapy.
真心的好看 对角色和人物关系的刻画都很不俗
唉 可悲的是连support group的人，特别是男人，无法懂得她的苦。
无病呻吟
开头卧室那场戏让我期望过高。但此后发展只不过是又一件中产阶级家庭破事，夫妻不和谐+婚外情，已经看过无数次的套路在这里也没多少特殊优点。女主演技确实摩登而出色，每一段落都是以女主视角展开无疑给她更大发挥空间。滑稽而浮夸的丈夫是女主心中的形象（结尾可看得出全片是一场口述），片中不少困扰也必定是女主艺术加工的。但，正是如此，结尾的出色就更为明显了。互助小组的女主口述完毕，静看其他人对她责难小题大做，各人借此爆发自己对婚姻的不满。字幕卡滑动，一个推镜，喧闹声中大特写的女主最后直视观众，片子蜕变为寓言故事，婚姻问题不会是个例，“她”作为创作者化身迫使观众重新审视自家的“鸡毛蒜皮”。75
是喜剧没错，角色和台词都非常浮夸，除了主角其他人都被丑化了；影院里大家都在笑可是作为一个女性看完哪还笑得出来，好久没看过这么憋屈的电影了。表面光鲜的中产主妇，嫁体面老公住大房子，做不完的家务活那就请人呗？闷了就找小鲜肉呗？哪来那么简单，问题的本质根本不在于此，大概无解吧。崩溃
女主充满磁性的嗓音以及一双清澈无比的眼睛至今自己影响深刻，影片的最后和开头相互对应。这是一部被忽视的好片。
not a single character in this movie is likable. written and directed by people who hate relationships and new yorkers, or just city dwellers in general.