剧情介绍
关于片名，طلامس 为突尼斯方言之中的Talisman（护身符、驱邪物），中译驱邪之咒由法语片名sortilège（魔咒、法术）与阿语本意结合而得来。
S，本片的男主角原本是一名突尼斯旷野之中执行任务的士兵，后因母亲去世而进行了一周的休假，然而在回到故乡之后却沦为通缉人员。在意外之中，他逃到了一片有魔力的森林之中。
F，本片的女主角，一名富商的妻子，在得知自己怀孕后他的丈夫便前往他国，留下她一个人在森林附近的房子中。她意外地走入了森林，并遇到了S。他们不需说话，只需看对方的眼睛便可以交流。S劫持了F，让她留在森林中生育，而F似乎也因为森林的魔力（黑色的石碑正是此的象征）而被蛊惑… the man, known only as S (Abdullah Miniawy), is a deserter who runs away from the army after his mother's death. The opening scenes are beautifully composed, playing with light and darkness, shadow and silhouette, as the soldiers cross a moonlit river and then in daylight move through a desert ravine where a Qaba-like black monolith incongruously sits in the landscape. Information is intelligently delivered through the visuals rather than the almost nonexistent dialogue, conveying mood far more sensitively than mere words. When his leave period expires and the military police come for him, S slips out and escapes through a dystopian landscape of empty plots, half-constructed cement buildings and grey colorless skies, the bleakness emphasized by a crescendo of dissonant noise on the soundtrack. He breaks into an empty apartment on the edge of nowhere but winds up fleeing, naked, when the cops arrive. As he walks, endlessly, through rocky terrain strewn with what looks like rubbish, the...
S，本片的男主角原本是一名突尼斯旷野之中执行任务的士兵，后因母亲去世而进行了一周的休假，然而在回到故乡之后却沦为通缉人员。在意外之中，他逃到了一片有魔力的森林之中。
F，本片的女主角，一名富商的妻子，在得知自己怀孕后他的丈夫便前往他国，留下她一个人在森林附近的房子中。她意外地走入了森林，并遇到了S。他们不需说话，只需看对方的眼睛便可以交流。S劫持了F，让她留在森林中生育，而F似乎也因为森林的魔力（黑色的石碑正是此的象征）而被蛊惑… the man, known only as S (Abdullah Miniawy), is a deserter who runs away from the army after his mother's death. The opening scenes are beautifully composed, playing with light and darkness, shadow and silhouette, as the soldiers cross a moonlit river and then in daylight move through a desert ravine where a Qaba-like black monolith incongruously sits in the landscape. Information is intelligently delivered through the visuals rather than the almost nonexistent dialogue, conveying mood far more sensitively than mere words. When his leave period expires and the military police come for him, S slips out and escapes through a dystopian landscape of empty plots, half-constructed cement buildings and grey colorless skies, the bleakness emphasized by a crescendo of dissonant noise on the soundtrack. He breaks into an empty apartment on the edge of nowhere but winds up fleeing, naked, when the cops arrive. As he walks, endlessly, through rocky terrain strewn with what looks like rubbish, the...
30/100。从战争阴云里脱身的老兵被世界赶入丛林，被“亲密”爱人忽视的家庭女性主动踏入丛林，这繁茂的拥有魔力的丛林改变了一切，让人能用眼睛直接对话，让男人和女人的性征互换，让控制与被控制成为一种互相依赖……导演用天马行空般的想象，描绘了这么一出荒诞离奇的丛林物语。固然拥有新奇的概念是好的，但新奇的概念和优秀的电影之间是不能直接划等号的，尤其你这概念已经超出正常人类所能接受的范围之后，拍出来的东西一定是莫名其妙的。尤其此片在本就晦涩的故事上更是采取了令人窒息的节奏推动和稀稀拉拉的台词设定，更让人欲哭无泪。另外不是有黑石碑就可以叫板库布里克，不是用婴儿的哭声就可以穿透生命的奥秘，不是加入无垠的大海就可以让故事升华，形式大于内容的电影永远只是一瞬的快感，而到不了大殿的高处供世人驻足观赏。
标记
充满神秘魔力的密林，让男主人公有了奶水。
没太看懂，导演到底想表达什么呢
看起来很别样的视听语言
摄影不错，剧情很迷，戛然而止
没看懂，不过画面原声不错！
طلامس
画风清爽，氛围好 黑石碑就。。。
自译，看完，漂亮的眼睛
2.5。
一百四十句，两个多小时翻译＋打轴 没那么模仿库布里克，实际感觉是高清＋缩水版阿彼察邦，中东电影人也有丛林梦啊哈哈哈哈
我不管，反正Oiseaux-Tempête天下第一！！！Oberland万岁万岁万万岁！！！！！
既然是戛纳的电影就要用在戛纳的打分标准。怎么所有Kubrick wannabe都能拍出最恶心我的bullshit。
#36. FFT# 世界起源 这是库布里克续作吗 前半太减分 / music by oiseaux tempête (!!!) 也未免太绝了