剧情介绍
两名大学生，一个是花花公子，一个含蓄文雅，二人都追求性的满足，视女人如猎物。到了中年时，他们却发现性欲的追逐烦闷而空虚，仿佛一场春梦。
The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in relation to the respective women who end up in their lives. Their story begins in the late 1940s when they are roommates attending Amherst College together. Both virgins, they discuss the type of woman they would each like to end up with. Sandy, the more sensitive of the two, meets Susan at a mixer, she who he believes is going to be the one to who he will lose his virginity. Sandy goes through the process methodically, taking into account what he thinks Susan wants, but without much true passion or romance. Jonathan, the more sexually aggressive of the two, ends up losing his virginity first to "Myrtle", who ends up being a steady but hidden girlfriend. Based on what each knows of the other's relationship, both Jonathan and Sandy strive for a little more of what the other has. These relationships also set the tone for all the relationships they will have in the future. Through their lives, they always seem not totally satisfied with their relationship at the time, still pining for what the other has. This view may change as they and their friendship hits middle age, when Sandy is with a domineering woman named Cindy, while Jonathan is with model/actress Bobbie, whose life goes spiraling downward because of her relationship to Jonathan and despite her beauty which on the surface offered so much opportunity for her. Jonathan's sexual trajectory, directed through these experiences, ends up in a manner he probably did not foresee happening.
爱毕欲生 威信WX简9法版
Narcissistic men make me feel so sick.Jack Nicholson太适合演疯子了。
是一部对性解放的现实批判，落点尖锐，结论犀利，但也相对缺乏余韵。
巴黎的一个雨天，流淌着很多潮湿的情欲。电影是美国性解放时代的一个缩影，男主对曾经的猎物如数家珍，骄傲自得，却在中年之后只能靠言语刺激想象才能勉强勃起，荒谬又讽刺。有趣的是电影中的女性群像，通过渣男和优男两面镜子，暗流涌动出她们复杂又软弱的女权雏形与局限性。Susan渴望精神伴侣，却抵抗不了身体诱惑，但最终还是终于内心；Cindy高冷美艳，对换妻行为虽然震惊，却也接受，只是要求自己主场；Bobbi依赖性极强，看上去胸大无脑，但最后还是得偿所愿嫁人生子。这些女性都在软弱中渗透出坚定抉择的微光，和雨天一样，氤氲着或明或暗的勇气。导演对女性不是同情，而是肯定，这种态度让渣男片变得饶有趣味。
8.0；又是一部鲜明新好莱坞的作品。人物极少，基本由对话支撑。尼克尔森本色出演，强大的攻击性和虚无喷薄欲出，赋予本片生命。本片几次时间流逝的转场很妙，完全没有交代，粗暴的让观众随着人物一老几年十几年，直到最后一起陷入深深的空虚。
那个时代的电影很有文艺范儿
爱情和X是完全不同的 不要以为有了X就有了爱
三段式，普通的爱欲-导向婚姻的爱欲-回归本我的爱欲。男主并非如《故事》所说对女性抱持贬损的不自觉欲望，而是建立在肉体知识基础上对女性冷眼的观察。不过这种观察并不一定圆融，毕竟男主也曾希望Susan和自己有和Sandy那样的精神沟通，也对临近结尾处9岁女孩在Sandy心中激起的爱的观念略有好奇。片中除了男主以外的人都过于正直，选择都过于明智，一定程度上削弱了可信性。
精彩的对话场景。
全员恶人
Carnal.Knowledge.1971.REMASTERED.BDRip.x264
哈哈哈，三人行，爱是妥协
B-
对话写得很好我边看边笑边生理不适
美国人玩法国新浪潮有种驴唇不对马嘴的轻浮，比新浪潮原本的匠气还要别扭。尼科尔森的魅力在哪，他难道不是明星效应比德尼罗还要重几倍的存在吗