剧情介绍
暂无
Amitabha Roy (Soumitra Chatterjee), a sriptwriter has a breakdown near a tea-estate and he is offered a place to stay by the estate manager (Haradhan Banerjee) at his bungalow. When he reaches, Amitabha finds out that the manager is married to his ex-girlfriend, Karuna (Madhabi Mukherjee). The manager has invited Amitabha to assuage his own boredom # and fails to notice the uneasiness between his wife and the guest. The plot unfolds over a period of approximately one-day when they have dinner, breakfast and go for a picnic # and small gestures rekindle Amitabha's memories. Through a series of flashbacks, he remembers their first meeting, courtship and separation (which was solely because of his lack of courage to make a commitment). Amitabha's current affluence and his suspicion of Karuna's unhappiness leads him to propose to Karuna once again but she is inclined to believe that the time to muster up courage has gone past.
#🇵🇱NHFF 2023。 很正常的最后一部…
男主的表演过头，且状态不能合乎人性逻辑。于剧情，最后的桥段，毫无道理的过于残忍…
A 短小精悍，调度有力，情绪到位，但不知道为什么给人一种日本老片的感觉，连走位表演都很像，不知道雷伊是不是也受到了日本电影的影响
內容貧瘠，好在女主角表現得體，再加上拍攝手法尚存有Ray風格，否則將不堪入目。
蓝光
4.5《大都会》《孤独的妻子》之后的这部《胆小鬼》可以看到雷伊对于印度现代女性身份探讨的越来越多元的维度，受过教育的女性，她们用书本武装自己，在与他者的接触中重新构建身份，还有依靠自我改变命运的努力，这部电影的女主角异常地神秘和复杂，在大别墅中的禁锢和在小宿舍中述说着自由，我们不知道她是否幸福，和男主角胆小鬼一样将谜题带到了结尾，电影的最后一幕是只有雷伊这样的大师才能创作出来的，它耐人寻味，欲说还休，女人的出现似乎是一种回答，但她也不知道答案究竟是什么，她会后悔吗？还是报复？安眠药的意象在观众脑海中久久不能抹去，记忆在纠缠着他们，以至于对幸福失语，男人的懦弱在三部电影中得以拯救的原因都在于承认女性的独立，接纳女性的优秀，但雷伊却将之前的乐观让位于迷茫，曾经憧憬的理想开始慢慢变得触不可及了
第一部雷伊，印度版花样年华or小城之春？
时长很舒服，和雷伊之前几部比显得略小品。karuna身上延续了之前四部女性电影的主要特质，男主在不断唤起的回忆与爱意的挣扎中始终无法强硬的去追回karuna，这儿雷伊指的"胆小鬼"显然不止是爱情中的懦夫这件事了，他要讽刺的是新知识分子依然无法去对抗腐朽的传统道德，他对着镜子映照出的是自身的懦弱。
3.5星
错过了当年的人，现在是找寻不回来的了…
补标
一直是这俩演员让我觉得好像在看他们一场场爱恨情仇哈哈哈
19 SEP 2021 (4-)
老洪哈哈哈
胆小怯懦=爱的不够