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去你家?

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马克思和弗雷亚在俱乐部相遇,贴面热舞,当音乐结束天光微明,犹豫不决要去谁家睡。女孩灵机一动,提议交换钥匙去对方家,男孩欣然同意。女孩找男孩的家很是顺利,男孩则是一波三折,遭遇不少闹剧才走进女孩的家。二人由家中陈设互增了解,萌生出情愫,约好一觉醒来电话联系……(豆瓣电影字幕翻译2.0小组) How much would you trust a almost stranger? What can things tell you about a character? Does a private place tell enough to decide if you want to go further in a relationship? My movie is turning around these questions and takes the audience on a journey to the unknown "territory" of a stranger. Freya meets Max at the dancefloor. They don't talk. Dance is the only language they need. Like a gravity is holding them close together they're turning around each other whole night long. When the clubs switches on the light and turns off the music they feel like thrown back in a cold reality. Out of the club he asks her "To my place or to yours?" Freya is disappointed by this dumpy question. So she makes him another offer. They start a fascinating journey through the early morning.

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