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In this post-apocalyptic Western, two things are rare in the year 2077: guns and women. Nora and her friend/lover Daphine must struggle to survive. In a post-government world without laws or weapons. Nora and her best friend/lover Daphine have an idyllic life in a sparse, rugged landscape. When a stranger arrives on their land, Daph's curiosity takes her away to a violent, misogynistic, psychedelic drug cult. Nora doesn't just want Daph back--she also wants revenge.
导演Amanda Milius的南加州大学论文电影《莲花枪》以2077年为背景，讲述了两位生活在后文明和谐中的女性的协同生活，被一位逃离厌女毒品邪教的逃亡者的到来所打乱。在我们与Amanda的对话中，她反思了道德的本质，她的成长经历如何塑造了她的电影方法（她是编剧兼导演John Milius和女演员Celia Kaye的女儿），以及为什么负面批评激励她创作更好的作品。directorsnote 1080p英字，4.5