剧情介绍
东西两德合并后，东部瞬间没落。失去工作的青年也失去了生活的目标。随着外籍移民的不断涌入，矛盾日益扩大，仇恨在蔓延。九十年代初期，多个城市爆发了新纳粹主导的排外骚乱活动。本片的背景正是那个时候的罗斯托克。
这部近期的德语高分影片获今年的德国电影奖多项提名，并获得最佳男配角奖。 On 24th August 1992 in the eastern German city of Rostock a rampaging mob, to the applause and cheering of more than 3,000 bystanders, besieged and set fire to a residential building containing, among others, more than 120 Vietnamese men, women and children on what has since become known as "The Night of the Fire." The riots became a symbol for xenophobia in the just recently reunited Germany. This film recounts the incident from the perspectives of three very different characters. Lien is a Vietnamese woman who settled in Germany, but at the end of the day she will be fighting for her life wondering if the place she called home could ever be one for her. Stefan and his friends are part of the night's violent turmoil. Young and angry, bored during the daytime, they look forward to the nightly riots and clashes with the police and foreigners. Unable to cope with his grief at the loss of a friend, Stefan gets lost in a circle of violence. Stefan's father Martin is an ambitious local politician, trapped in a dilemma: does he advance his career or stand up for his ideals and take responsibility, which includes that for his son?
这部近期的德语高分影片获今年的德国电影奖多项提名，并获得最佳男配角奖。 On 24th August 1992 in the eastern German city of Rostock a rampaging mob, to the applause and cheering of more than 3,000 bystanders, besieged and set fire to a residential building containing, among others, more than 120 Vietnamese men, women and children on what has since become known as "The Night of the Fire." The riots became a symbol for xenophobia in the just recently reunited Germany. This film recounts the incident from the perspectives of three very different characters. Lien is a Vietnamese woman who settled in Germany, but at the end of the day she will be fighting for her life wondering if the place she called home could ever be one for her. Stefan and his friends are part of the night's violent turmoil. Young and angry, bored during the daytime, they look forward to the nightly riots and clashes with the police and foreigners. Unable to cope with his grief at the loss of a friend, Stefan gets lost in a circle of violence. Stefan's father Martin is an ambitious local politician, trapped in a dilemma: does he advance his career or stand up for his ideals and take responsibility, which includes that for his son?
太爷爷是法西斯，爷爷是共产主义者，爸爸是民主主义者，自己是新纳粹，代际之间身份差异如此之大，但也只不过是时代洪流中的一粒微尘，可是聚到一起却也力大到足以在史书中记上一笔。时代与个体，究竟是谁影响了谁？ “没人让我不开心，也没人能够救我，愤怒逐渐侵占着我。日复一日，年复一年，我留不住时光。记忆日渐模糊，记不清容貌，记不清历史。” 另外，最后一个镜头是全片最明亮的，也让我心中一凉。 PS影片讲述的是92年反移民暴乱，拍摄应该在在2014年，即15年德国卷入难民危机前夕，但在2023年来看此片，更觉得人类不过是在重复历史的覆辙罢了。
—你是算左翼还是右翼—干嘛要问这个？—你自己应该知道，左还是右—我搞不懂为什么大家都必须选个阵营，我就是普通人—什么，普通？—就不能做个普通人吗但是你说的那么好听，普通人。呵，你操着纳粹的手势以此来取乐，向难民扔石头，在房间挂着纳粹的万字符，你的朋友从八楼跳下自杀你撕掉了他留给父亲唯一的遗书。你坐在沙发里只想着抽大麻，喝啤酒，把鸡吧塞进女人的下体。你只觉得暴力和血、冲突才能证明自己活着的存在。等着大众工业的鸡吧塞进你们被切除脑蛋白质的大脑，你们被告诉永远是最纯真的。我再说一遍：羞耻。
自我反思剖析的德国人真的忏悔了吗？一切狭隘民族主义都是民生出问题了，私以为欧洲极右翼上台是迟早的事。
“我父亲对抗民主主义，他是个法西斯。我后来对抗我父亲，我信奉共产主义。（儿子）你又对抗我，你要推民主主义。现在你得想想，你儿子对抗你是为了什么...”
电影描述了原处于共产主义社会的东德，在德国统一后面对移民群体折射出的复杂心态。两年之前我会有工作，周末还会和父亲、弟弟到海边看游轮，但现在什么都没有，除了愤怒；在之前我们会排一个小时的队买草莓，大家都没有怨言，因为每个人都是这么做的，但现在有草莓了，完全自由买卖，完全的自由意味着完全的孤独。从被管制的生活来到自由社会，落差导致了安全感的丧失，对手中的权利手足无措。对外来移民，不论是罗马尼亚族或是亚裔对工作机会的挤占，还是对社会安全的担忧，总之总有因素将这群刚刚经历两种体制转换的充满不安全感的人团结起来。
任何一个人或国家有着这样的反思能力，如果他还年轻，那必然强大
毁灭吧 赶紧的 累了
悲惨世界雅典娜我们年轻，我们强大
这是个纳粹歌与国际歌并存的时代，92之德国迷茫的青春，民族主义，浮出水面的移民问题，政府权力的缺失，迷茫与压抑，汇集而爆发。电影拍摄手法很独特。黑白与彩色画面的切换很有冲击力，一天之内时间线的推进将年轻人的迷失、无奈、愤怒推到高潮，或激烈或冷静的配乐也把气氛烘托到极致。爷爷的父亲是纳粹，爷爷是共产主义者，父亲是民主人士，儿子是新纳粹，更是迷茫的一代，青春的施暴者施暴后，并非是喜悦，而是更加迷茫与疯狂。最可怕的是平静过后疯狂依旧…（我们年轻我们强大）
影像的力量是明确的，后段从黑白到彩色的突然切换也起到了进一步的煽动作用，而全片最出人意料的地方是当一切情节人物铺设都朝着最不可挽回的方向狂奔的时候却用了一个非常反传统的收尾猝然结束，戛然而止，反而力有千钧
摄影和配乐很带入 喊着反对暴力的人正在实施暴力 一起唱着国际歌的年轻人转头就去摧毁移的家 想起我们都是政治的小白鼠
都给我去看啊这才叫真正的牛逼，一个平庸无奇的本子愣是被这没有一处水戏、一处闲笔的视听语言救活了！摄影机调度、角度、景别、色彩、配乐的运用都是妥妥的新高度
2016.11.25看過
多年前看过，格外适合青年节
摄影很漂亮