剧情介绍
因为前女友陷入昏迷中,男人带着两人共同的儿子马努埃尔,来到生病的女友的住所安顿了下来。父亲一直在诊所中照顾前女友,而儿子马努埃尔觉得整日坐在椅子上实在无趣,他宁愿拿着他的滑雪板在这冬日的城市里四处遛弯。女人僵硬的身体横在屏幕的当中,一动不动,父子两人只能通过不同的方式化解这种内心的压抑。儿子忙于应对青春期带来的困扰,父亲也要面对年龄带来的种种身体的不适。一个沉浸于滑雪,手淫和吵闹的柏林风说唱乐,另一个则偏爱柔和的解压术与电视上播放的体育节目。此外还有同住一间公寓的金,她的私人物品成了马努埃尔恋物癖的对象。伴随着冬日城市的寒冷和情感上的疏离,多个身体影像在片中交错出现。
Manuel's mother, Petra, lives in Berlin. She is in a coma as a result of chemotherapy treatment. Tarso and Petra have been divorced since Manuel (17) was 3 years old. Manuel and Tarso come to Germany to be with Petra during her illness. They stay together in her old apartment. Another woman also occasionally lives there: Kim, a beautiful, enigmatic and aloof Asian. Petra's disease is of no interest to Manuel whereas Tarso visits Petra obsessively in the clinic. Sharing the same space with Tarso is hard for Manuel. Their previous relationship was based on 'visits only'. Manuel is overcome by a sense of emptiness. Meanwhile, Manuel develops an erotic desire for Kim, in fact a transsexual, who helps him discover Petra's body...
国外归来的父子无力地面对昏迷的母亲,伴随着前者的无方向感和后者绝望中的性渴望,两人逐渐以各自的方式对抗命运却最终陷入悲伤和疏离。长时间缺乏参与且极富矛盾的角色设置和节省的光线运用下阴郁的氛围让影片的三人情感达到冰点,单调的城市荒原与情绪的空转最终都凝聚到对身体性的集中体现。
说实话,那天在上海德国文化教育处看的这部电影真有点看不懂。是不是太先锋了?
这真是一部超级压抑郁闷隐晦变态扭曲的片子。开始就很莫名其妙,拍一个飞机降落吸盘运作的过程摄像机就足足停了2分钟,后面发生了一大堆变态事件,人物说话很少,无聊不必要的镜头相当之多让人不知所云。真不知道导演脑子里在想什么。结尾也很莫名奇妙,是不是2小时到了导演弃拍了?跟天鹅完全不搭界。
Totally 没看懂
挺压抑的……前排那对男女你们诡异的笑点到底在哪里啊!这种闷得要死的片子都能笑上100分钟也委实太不容易了!