剧情介绍
劳拉(玛琳·黛德丽 Marlene Dietrich 饰)是剧场里的万人迷,几乎所有的男人都情不自禁的拜倒在她的石榴裙下,艾玛拉斯教授也不例外,当他在剧院里第一次见到劳拉时,便陷入了对她深深的迷恋中无法自拔。经过苦苦的追求,劳拉终于成为了艾玛拉斯的新娘,两人之间悬殊的个性和地位也为将要发生的悲剧奠定了基调。 Germany 1924. Middle aged Dr. Immanuel Rath is a literature professor at a boys college. Most of his students don't much like him, often calling him "unrath" - German for garbage. Dr. Rath learns that many of his boys often frequent a cabaret called Der blaue Engel - the Blue Angel - which he believes is corrupting their impressionable young minds. He heads to the Blue Angel himself to catch the boys in the act and shame them into not going again. Over several visits, Rath is able to catch the boys, but in the process he also understands what attracts the boys, namely the headlining performer Lola Lola. Rath falls under Lola's spell, he who falls in love with her - and she seemingly with him - so much so that he wants to marry her and give up his teaching career to be with her on her travels from cabaret to cabaret. Their relationship ends up not being what either envisioned, the question being how they will both deal with their disintegrating relationship and the reasons behind that disintegration.
蓝色天使 杂D5
斯登堡估计是一心干他的摄影了,根本没有参与导演
還是室內佈景。在『最卑賤的人』之後,這一部感覺沒有超越。段落的銜接都很生硬。
門德爾松比瓦格納陰冷
早期音效很炸耳
那几十年都好喜欢拍这种寓言一样的故事,从物品到人都有隐喻。剧情转折略显突然,声音处理也好突兀,一关门就马上阻断门外的声音看来真是有点搞笑()感觉女主的角色还是太平淡无趣的欲望象征符号,甚至连她的淫荡都塑造得如此克制,教授的愚蠢和悲哀倒是被塑造得生动又深刻多了。
对剧情,一场荒诞的闹剧,近百年前的电影,对技术,并未那么成熟。
刚上高中沉迷历史时期听李工真教授的公开课了解到此片,教授举这个例子来说明魏玛时期的世风日下,腐化堕落(笑)。德国早期电影的光影绝对是教科书级的。教授办成小丑上台的那瞬间,光影斑驳,人群的喧浮,道德的幻灭,尊严的践踏,悔恨埋怨嫉妒憎恨均体现在教授那张肥胖紧致的脸上。日历转到1929,经济危机爆发期,nazi上升期,教授的彻底沉浮,德国的疯狂向右转,最后还是在旧道德旧秩序中找到安宁。。。本片还是纯男性视角,站在同情教授的基础上,警醒着广大♂不要受红颜祸水的诱惑,呵呵
声音部分制作仍然青涩,但整体框架已经挺完全的了
黛德丽多年后在控方证人里的舞女老本行从这里就开始了。如果原著小说是嘲笑中产阶级的虚伪道德,那么电影里的教授则不再是丑角而更近悲剧。
一星是给Marlene Dietrich的
那首歌叫《我从头到脚为爱而生》,玛琳唱了两次,两次感情不一样了。结尾他回到教室死去,可怜的老教授。
黛奶好可爱
老古董教授误入花花世界爱上舞女落得一无所有凄惨死去的结局。虽凭此片一炮而红,但此时黛德丽外形和表演都太过青涩,扮演这么一个令人神魂颠倒的角色说服力略显不足。雅宁斯当之无愧电影史早期最顶级的演员之一,对教授的刻画入木三分,极为精彩。
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