剧情介绍
暂无
Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May's unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love.
好看
不可否认,男主是个渣男,但是感情就是这种说不明白的东西
片尾,他来到她的窗下,三十年岁月流逝,他再次久久凝望着爱人的窗,然后默默走开。他没有选择重逢,而是选择了放弃。这其间多少阴差阳错,造化弄人,又是多么隐忍,遗憾,心酸与残酷。
情节一般,拍摄手法很老气,时不时的旁白很容易让人出戏。最好的是艺术指导,置景、服装是绝对的高级。
流畅,复古。虽然故事不认同,但是画面挺考究
摄影牛逼 薇诺娜太美
I didn’t realize DDL is such a beautiful man.
理性、克制和纯真。
7.4分。
“They all lived in a kind of hieroglyphic world. The real thing was never said or done or even thought, but only represented by a set of arbitrary signs. Archer knew these signs. They were not subtle and were not meant to be. They were more than a simple snubbing. They were an eradication.”
梅看似什么都不知道,但实际上又什么都知道。
不时切入表现食物和装潢镜头的碎片化剪辑+大量解释情节背景的画外音让我真的接受无能...形式本可以更古典...
三星半。
其实题材跟风格不是我的口味,五星给原作故事和ddl。故事本身并不新鲜,胜在合情合理不洒狗血,是性格、经历与环境造就的必然的悲剧。在类似题材电影中本片对节奏、氛围以及留白的把控都属一流,将那种含蓄压抑的暗流涌动表现得极其到位,台词也写得相当好,简练清晰、一针见血,不愧是小说改编,也理解了为什么这部小说能多次被搬上荧幕。这里的ddl太俊了,眼里永恒地闪动着的泪光,好完美地凹陷着的脸颊,好优雅的声音(老年版还压低了声音——此处夸下敬业——但优雅不变),不过纽伦其人其实没啥意思。艾伦极具人格魅力,梅表面傻白甜实际惊人地敏锐,但内在仍然是圣母心。从梅宣布怀孕时那模棱两可的说法,就几乎确定她从一开始就对一切清清楚楚,结局果然验证了这一点;结合之后的旁白,所谓的纯真年代大概从来就不曾存在。
3.85,少点纯真多点专情,烦恼会少很多。聪明的媳妇是多么的重要!愚蠢的男主。