剧情介绍
一曲德沃夏克《自新大陆》的经典旋律,将热爱登山的青柳信(小栗旬 饰)和略显拘谨的小春(满岛光 饰)两个青年男女的命运紧紧连接在一起。婚后他们先后育有望海(铃木梨央 饰)和陆(高桥来 饰)两个可爱儿女。可就在一场意外过后,信撒手人寰。悲伤的小春同时打着几份工,辛苦操劳,不得闲暇,艰难拉扯儿女长大。残酷的命运迫使她不得不面对早年抛弃她和父亲另外成家并与自己误会颇深的母亲植杉纱千(田中裕子 饰),而她与植杉家的纠葛还远远不是那么简单。丈夫生前的可疑死因和为了生计的过度操劳让她的身心承受巨大的负担,医院的诊断书似乎又昭示另一段噩梦旅程的开始。
饱经风霜的单身母亲,只因“母亲”二字沉甸甸的分量,咬紧牙关艰难前行…… Koharu lost her husband Shin in an unexpected accident. Koharu must go on for her two children Nozomi and Riku. Koharu works hard to make a living, but her financial situation does not improve. She goes to the social welfare office to apply for assistance, but is refused due to not meeting certain requirements. An employee at the welfare office asks Koharu if she has family that can support her, but she says no. Koharu's father passed away and her mother Sachi left her and her father for another man twenty years ago. They have been estranged since then. An employee at the welfare office then contacts Sachi. Her mother makes it known she will provide support for Koharu. Meanwhile, Koharu is stunned by her mother's response. After twenty years, Koharu decides to meet her mother again.
饱经风霜的单身母亲,只因“母亲”二字沉甸甸的分量,咬紧牙关艰难前行…… Koharu lost her husband Shin in an unexpected accident. Koharu must go on for her two children Nozomi and Riku. Koharu works hard to make a living, but her financial situation does not improve. She goes to the social welfare office to apply for assistance, but is refused due to not meeting certain requirements. An employee at the welfare office asks Koharu if she has family that can support her, but she says no. Koharu's father passed away and her mother Sachi left her and her father for another man twenty years ago. They have been estranged since then. An employee at the welfare office then contacts Sachi. Her mother makes it known she will provide support for Koharu. Meanwhile, Koharu is stunned by her mother's response. After twenty years, Koharu decides to meet her mother again.
2023🔚 完满 舒适
我为什么要在一年最后开始看这部剧🥹 一口气到凌晨五点,枕头湿了又干。。。
好奇怪,当年和半泽直树一季的我居然没看?一定是因为我不爱看建国吧。。然后就错过了2013年的二阶堂富美和高桥小哥。。 光妹怎么这么适合演惨兮兮的贫困单亲妈妈啊。。田中裕子也太神了,我一看她就有点冒冷汗。
女人可以成为任何一个想成为的角色
真是太苦了,如果人生活得这么累,可怎么坚持下去啊……不知道剧名为何叫《女人》,明明就是苦命的母亲们,可是女人不应该只是母亲,不应该被钉死在这个身份下。田中裕子好喜欢,构图也都好喜欢。
十年后看十年前的片子发现自己真的长大了。
第一次看满岛光的苦情剧,演什么像什么,以前一直以为她是常演古灵精怪类型的。栗子真是太帅了,每一帧都特别帅。益生菌虽然出场不算多,但演出了一个有故事感有温度的医生。这部剧里每一个女性角色都代表不同阶段的女人,面对不同的环境和问题,在不同的年龄和家庭背景下,会怎样选择,怎样救赎自己和对方…女人的困境虽然由社会造成,但女人本身也可以成长和克服困难,女人像水,什么都能淌过去,girls help girls,这个世界不能没有女人!
坂元裕二,描绘人生痛感最好最好最好的编剧之一配上光妹自带的苦情,没有不叫好的理由
虽然有些老套,但是细节很用心
全程哭到尾
2023了,为什么我还要看这么苦的剧… 是我的错,不过,请放过妈妈们吧。
首先对任何观点都不抱绝对的态度。1没有钱就不能做妈妈?因为给不了孩子物质财富就不应该生孩子?(不否认有了钱更好更更好、不否认你想条件优越再生孩子、不否认我确实贫穷)2什么妈妈把生养无限付出的锅让孩子背?妈妈(我)怎么可能会认为被孩子剥夺了自由的一切?“我不化妆、不穿裙子、身材没有管理好”并没有因为这些原因而去责怪、怨恨孩子的意思,只是我喜欢和孩子更没有拘束的玩耍(不用害怕裙子太短不能蹲下、不会被披散的头发挡到视线…),“穷人”有了孩子确实没有时间做这些,但是得到的比失去的多得多!
看的憋屈
泪目 还好是he
为母则刚