剧情介绍
本片被提名2008年威尼斯电影节金狮奖。 The writer and college professor, Alexandre Fayard, researches and gives lectures about the gruesome literary work of the mysterious Japanese writer Shundei Oe, considered by him to be the master of manipulation. In his underground detective novels, evil always prevails and Shundei Oe has never allowed anyone to see his face. His only image available is a frightening picture on the back of his best-sellers. Alex travels to Kyoto to promote his successful detective story that follows the same style of the Shundei Oe but with a positive message instead. He meets with his publisher, Ken Honda, from the publishing house Hakubunkan. While in an interview in a TV show, Alex receives a phone call from Shundei Oe that advises him to return to Paris, and Alex believes it is a marketing strategy of Ken. Then Alex and Ken go to a tea house where he meets the Masochist geisha Tamao, and Alex has a crush on her. Tamao discloses to Alex that she knows Shundei Oe and his real name is Hichiro Irata; further they were lovers when she rejected his proposal many years ago. From this moment on, Hichiro Irata loathed her and vanished. When she got pregnant by the wealthy and powerful business man Ryuji Mogi, Shundei Oe returned and stalked her. Alex decides to help Tamao and Ryuji Mogi against the menace of the deranged writer, and his mind is blurred between fiction and reality in dreadful nightmares.
尊是糟蹋了江户川乱步的原作!通篇不过是日本猎奇+旅游观光节目+2B文艺青年英雄主义大爆发的影像大杂烩和故弄玄虚的悬疑线索!!还威尼斯金狮提名!我去!黄毛子完全不懂那种妖致同时散发着性和死亡气息的日本病态美!!很可惜1977版的没找到,想必比这部更能还原乱步原著的气质
没看过原著,法约尔窃以为自己很懂平田一郎,就像 巴贝特·施罗德窃以为自己懂江户川乱步一样。和开篇戏中戏一样邪不胜正,又是法国人对日本文化的猎奇心理作祟。形式大于内容,使得悬疑推理破绽百出,虎头蛇尾。导演对女主角的刻画过于沉醉,所以结尾是很容易猜的。
对江户川乱步的小说进行了比较大的改动,剧中剧拍的不错,石桥凌英语还可以,改的不好,原作阴郁的病态和诡计的揭示都没能表现出来
典型充满日本人阴郁风格的烂片
刚看到女主角就猜到了结局……哎……
话说真的是从一开始就知道结果的片子。。。。总有一种词不达意的赶脚
有点拖沓。中断就很明显了。好吧苦逼少年多精虫上脑。。。身兼SM两范儿啊!
故弄玄虚 那女的暴露的多明显~悬疑的这么不给力
成功的艺妓,成功的隐形侦探小说家,谁说一心不能两用?一个成功男人的败落一个“性”字足矣,性让人变的善良甚至愚蠢。
我喜欢京都风情,但是看到一小时的时候,我想到了真相~~~~~~~~~一看还真是
这怎么能算好片?地狱守护者 吸血女僵尸 一夜情电台的故事
note:好好看喔真是太有趣了太邪門了,這種法製日恐的小說內小說感、後設來倒過去的誰是小說家,都有一種很有趣的艷麗恐怖。裡頭對亂步的外國感改編讓日本表像比鬼更鬼了,例如殺貓天狗SM的動物圖徵。真有趣,看不出是《殺手的童貞》的導演。
细节毫无逻辑,完全把观众当傻瓜
预告片剪辑得比较精彩,看影片后感觉SOSO。基本看个开头就猜到主谋是谁了,冲着Benoît Magimel英俊的脸,就凑合看完了吧。
什么垃圾玩意,弄得很神秘似的,其实几分钟就猜到是怎么回事了