剧情介绍
故事发生在1999年澳门回归中国前后的几个月的时间里。影片通过澳门社会所特有的“土生群体”的视角，讲述了在那段时间里澳门的“土生族群”所面临的一次抉择。这是关于亲情、爱情、友情的抉择；也是关于种族、民族、血缘的抉择。
警员奥戈时常陷入困惑，父母都是中国人，自己却有一张中葡混血儿的面孔。无论奥戈怎样追问，母亲就是不肯说出真相。直到母亲病重住院，奥戈才从养父口中得知自己的生父在葡萄牙。“回归”前夕，奥戈踏上了葡萄牙这块既让他向往又陌生的土地，开始了自己的“问祖寻根”之路。
奥戈的母亲在他离开澳门后不久离开了人世。影片最后，奥戈回到了澳门，站在母亲的坟前……
故事寓意着大历史背景下个人的“身份认可”问题，与此同时，影片主人公的命运也折射出几百年来的殖民统治带给澳门这座小城光鲜外表下的伤痕。 The film adaptation of the novel by Macanese writer Lio Chi Heng marks the 10th anniversary of the transfer of the Portuguese colony of Macau to Chinese administration. The year is 1999 and Macau television ceaselessly informs the population of preparations for the upcoming handover. In the atmosphere of the changing society, when some submit to Chinese lessons and others consider emigration, the movie's protagonist begins to investigate his own identity. Now more than ever he senses his Portuguese- Macanese roots, which always prevented him from feeling at home with his stepfather and sister. The title character's pilgrimage opens up the theme of the search for personal and social identity on the threshold of post-colonial life; at the time of the transfer it represented a pressing issue for the majority of Macau's inhabitants. In long, austere sequences imbued with melancholy, the narration captures feelings of dispossession, but it also offers hope, an ineluctable element of every ...
警员奥戈时常陷入困惑，父母都是中国人，自己却有一张中葡混血儿的面孔。无论奥戈怎样追问，母亲就是不肯说出真相。直到母亲病重住院，奥戈才从养父口中得知自己的生父在葡萄牙。“回归”前夕，奥戈踏上了葡萄牙这块既让他向往又陌生的土地，开始了自己的“问祖寻根”之路。
奥戈的母亲在他离开澳门后不久离开了人世。影片最后，奥戈回到了澳门，站在母亲的坟前……
故事寓意着大历史背景下个人的“身份认可”问题，与此同时，影片主人公的命运也折射出几百年来的殖民统治带给澳门这座小城光鲜外表下的伤痕。 The film adaptation of the novel by Macanese writer Lio Chi Heng marks the 10th anniversary of the transfer of the Portuguese colony of Macau to Chinese administration. The year is 1999 and Macau television ceaselessly informs the population of preparations for the upcoming handover. In the atmosphere of the changing society, when some submit to Chinese lessons and others consider emigration, the movie's protagonist begins to investigate his own identity. Now more than ever he senses his Portuguese- Macanese roots, which always prevented him from feeling at home with his stepfather and sister. The title character's pilgrimage opens up the theme of the search for personal and social identity on the threshold of post-colonial life; at the time of the transfer it represented a pressing issue for the majority of Macau's inhabitants. In long, austere sequences imbued with melancholy, the narration captures feelings of dispossession, but it also offers hope, an ineluctable element of every ...
总会有一个时间点，我们开始反思自己的根在哪里，即使不是政治上的变动；虽然这看起来并不是一件多么大的事情，他只对每一个个体而言，并且像一件浑浑噩噩的潜在的无意识行为，或者是一股执拗的小孩子逞一时之快。但我们只求疯过
Macau混血土生的寻根情结，放在1999多些历史沧桑意味。男主全程忧郁状态，纠结心思溢出屏幕
原来打三星，六个月后忽然在一个刮北风的雨天想起，感觉那种“漂泊感”和土生葡人的迷茫拍得还挺好的，改成四星。
流于表面的寻根，看过了总觉得缺少一个内核。不知道是不是因为剧本人员调度的问题，人物关系太单一，出现太多巧合，实在是一种很讨巧的方式。
男主是那种乍一看不好看但是又很耐看的那种，哎呀，长长的苦瓜脸，一脸抑郁气质，穿上制度迷人得很。
3.5，每个人都需要找到自己的根，土生葡人亦如是。奈何葡国早已衰败，无法像英国一样强有力照顾吸收那些留在华南的遗民了。吴嘉龙好性感，看硬。
感觉故事讲得不怎么完整啊
因为合作要写一篇关于澳门的小说搜到的，剧情沉闷节奏缓慢，展现的却是回归时代土生对自己身份认识的迷茫，去与留，陌生与熟悉，都是选择。
因为去了趟澳门，所以翻出来看看。这个题材应该可以拍的更好。看来导演队伍中差距也是挺大的。
见下
澳门土生 男主角挺适合拍A片的。。。
第一次看澳门的电影。调调是淡淡的慢慢的
高清电影台在播。
风景好看，疏离，自我身份认同，传统变化。