剧情介绍
故事发生在民风热情奔放的意大利西西里岛，咪咪（吉安卡罗·吉安尼尼 Giancarlo Giannini 饰）是一名普通的采石工人，当地正在进行选举，咪咪因为站错了队而遭到了开除。无奈之下，咪咪只得离开了妻子前往都灵谋生，在那里，他成为了一名钢铁工人，还加入了共产党。
在都灵，咪咪结识了一位名叫菲亚（玛丽安杰拉·梅拉托 Mariangela Melato 饰）的美丽女子，菲亚很快就吸引了咪咪的注意令他坠入情网，最终，两人走到了一起。幸福快乐的时光没过多久，咪咪就得知了自己的妻子怀孕的消息。咪咪离开了菲亚回到故乡，才发现妻子腹中怀的并不是自己的孩子。 In Sicily, the mine worker Carmelo "Mimí" Mardocheo votes in the Communist Party candidate instead of in the Mafia's one believing that the suffrage is secret. After the elections, he loses his job and cannot find any other job in his village that is controlled by the mobster Don Calogero. He leaves his wife Rosalia with his family and travels to Turin expecting to find a job. He finds an illegal position in the civil construction that is also explored by the Mafia and when a coworker dies in an accident, he finds that the mobsters have dumped his body on the road. However, he does not report the crime to the police and lies to the mobster Salvatore Tricarico telling that he belongs to the family of a powerful mobster. Mimi gets a metallurgic position and joins the Communist Party. Then he fall in love with the virgin Trotskyite street vendor Fiorella Meneghini and they have a boy. When Mimi witness the mobster Vico Tricarico executing several men in a hotel, he survives but he does not report to the police. Mimi is transferred to Catania in a supervisory position against his will. He brings Fiore and their son to Sicily, but he is still married with Rosalia but he claims that he is ill and does not have sex with her. When Mimi learns that Rosalia is pregnant, he finds that he is a cuckold and plots a scheme to seduce and knock up Amalia Finocchiaro, who is the wife of Rosalia's lover. But his revenge does not work as planned.
在都灵，咪咪结识了一位名叫菲亚（玛丽安杰拉·梅拉托 Mariangela Melato 饰）的美丽女子，菲亚很快就吸引了咪咪的注意令他坠入情网，最终，两人走到了一起。幸福快乐的时光没过多久，咪咪就得知了自己的妻子怀孕的消息。咪咪离开了菲亚回到故乡，才发现妻子腹中怀的并不是自己的孩子。 In Sicily, the mine worker Carmelo "Mimí" Mardocheo votes in the Communist Party candidate instead of in the Mafia's one believing that the suffrage is secret. After the elections, he loses his job and cannot find any other job in his village that is controlled by the mobster Don Calogero. He leaves his wife Rosalia with his family and travels to Turin expecting to find a job. He finds an illegal position in the civil construction that is also explored by the Mafia and when a coworker dies in an accident, he finds that the mobsters have dumped his body on the road. However, he does not report the crime to the police and lies to the mobster Salvatore Tricarico telling that he belongs to the family of a powerful mobster. Mimi gets a metallurgic position and joins the Communist Party. Then he fall in love with the virgin Trotskyite street vendor Fiorella Meneghini and they have a boy. When Mimi witness the mobster Vico Tricarico executing several men in a hotel, he survives but he does not report to the police. Mimi is transferred to Catania in a supervisory position against his will. He brings Fiore and their son to Sicily, but he is still married with Rosalia but he claims that he is ill and does not have sex with her. When Mimi learns that Rosalia is pregnant, he finds that he is a cuckold and plots a scheme to seduce and knock up Amalia Finocchiaro, who is the wife of Rosalia's lover. But his revenge does not work as planned.
戛纳提名/喜剧：[心中的阳光原创][咪咪的诱惑][DVD-RMVB/514M][意大利语/中字].
表面上是一部瘋狂喧鬧的性喜劇,實質是挖苦政治與生活不能分開的故事,混亂的派別政黨公會一直入侵攪和情感豐富直率的男角,無時無刻與之周旋角力,荒謬荒誕批評當時社會狀況人人皆在漩渦中翻滾,還不錯,值一看
4.0。
不能单纯作为普通的情色片来看，其实是具备政治意义的喜剧片，中间有七十年代的典型烙印，对那段历史不太了解以及无神吗兴趣了解的估计很难理解其中的点。
其实是个普通的sex comedy，不过出了蓝光和较好的中字，观影体验直接提升一档
喜欢命运的三颗痣那边突然全景+快速变焦，还有几处表现地理位置的镜头。感觉到女导演自带一种俯视众生的视角，叫人不快。
韦特缪勒的风格试验之作，咪咪是符号中心，绕之而构建包括其妻子老乡、黑手党、共产党等实力派人物、卖衣女郎、肥胖而报复心强的女人等多个意象，影片前半段颇具爱情类型片外壳，后半段则放弃叙事而以喜剧性强的音乐音效展开符号。前后表现力各有殊胜之处，但整体割裂。另，卖衣女郎着花衣形象太过迷人
光当做喜剧的话其实能给五星，但是结尾非要加悲情批判，批判的又没到令人悲怆落泪的地步，搞得有点不伦不类的
He's been a husband, a lover, a cuckold and a Communist. Now he just wants to be free.
Mimi色诱那段全班笑崩了。其实这是一个政治性很强的电影，我觉得还是挺anti-communism的，但是我真的害怕上课讨论到这些。
居然会有人约会时选这部电影我真惊了。。。奇怪的快疯了
误打误撞第一次看了个观影人数不足百的小众片 笑不出来的喜剧片 都是七十年代的烙印 七十年代的意大利西西里都灵惊现毛泽东列宁 男欢女爱真是没意思极了
咪咪真能日
韦特穆勒 日后的标签都已初现，她是用漫画笔法对工业发展下传统社会的一个恶作剧式的巡礼，更进一步看，也是意大利影坛在70年代政治电影泛滥以来，首部用喜噱手法批评所谓“意识形态觉醒”这一左派滥调的电影。把现代生活的疏离、人类意识的迷茫和世事的无意义刻画得入木三分。
叫咪咪的混混