剧情介绍
一对中产夫妻驾车出游，丈夫（里昂•尼梅兹科 Leon Niemczyk 饰）总是夸夸其谈，但妻子（乔兰塔•乌梅卡 Jolanta Umecka 饰）只是随声附和。途中，他们遇到了一个临时搭便车的年轻人（兹古蒙特•马拉诺维兹奇 Zygmunt Malanowicz 饰）。夫妻经过商量，决定载他一程。三人来到了海边，丈夫准备用私家的帆船出海，为了向年轻人炫耀，所以邀他一同游玩。年轻人欣然应允，于是他们共同踏上了航程。
航行中，年轻人渐渐对他们敞开了心扉，三个人还玩起了桌面上的竹签游戏。年轻人对夫妻坦言，自己不会游泳，因此他只是孤零零地在甲板上把玩手中的匕首。丈夫跟他开玩笑，无意中却把匕首丢入了大海。年轻人很生气，结果两人厮打在一起，双双落入水中，妻子大惊失措，三人关系也因此发生了逆转…… Well off Andrzej and Krystyna's marriage is at a stage where familiarity breeds contempt, that contempt which is outwardly shown only behind closed doors and only when an incident of some sort sets off one or the other. While driving through the countryside on a Sunday on their way to the lake to embark on an overnight sailing excursion, they almost run over a young male hitchhiker. Despite the antagonism between Andrzej and the hitchhiker, Andrzej offers him a ride as far as the marina. By the time they reach the lake, their antagonism has dissipated enough that Andrzej asks if he would like to join them on their sailing trip. The hitchhiker accepts despite knowing nothing about sailing. As the sailing trip progresses, the antagonism between the two men begins to increase again, fueled on both sides as each strives to be the alpha male. Andrzej needs to show his superiority, while the hitchhiker needs to show that his young age and inexperience, not only with sailing but with life in general, do not make him any less of a man in comparison. Later incidents demonstrate that their relationship may have been different if Krystyna was not in the picture. The hitchhiker's pocket knife, seemingly his most prized possession on his person, becomes a symbol of that power struggle between the two men. If the three emerge from their sailing trip alive, they may be forever changed by their encounter.
航行中，年轻人渐渐对他们敞开了心扉，三个人还玩起了桌面上的竹签游戏。年轻人对夫妻坦言，自己不会游泳，因此他只是孤零零地在甲板上把玩手中的匕首。丈夫跟他开玩笑，无意中却把匕首丢入了大海。年轻人很生气，结果两人厮打在一起，双双落入水中，妻子大惊失措，三人关系也因此发生了逆转…… Well off Andrzej and Krystyna's marriage is at a stage where familiarity breeds contempt, that contempt which is outwardly shown only behind closed doors and only when an incident of some sort sets off one or the other. While driving through the countryside on a Sunday on their way to the lake to embark on an overnight sailing excursion, they almost run over a young male hitchhiker. Despite the antagonism between Andrzej and the hitchhiker, Andrzej offers him a ride as far as the marina. By the time they reach the lake, their antagonism has dissipated enough that Andrzej asks if he would like to join them on their sailing trip. The hitchhiker accepts despite knowing nothing about sailing. As the sailing trip progresses, the antagonism between the two men begins to increase again, fueled on both sides as each strives to be the alpha male. Andrzej needs to show his superiority, while the hitchhiker needs to show that his young age and inexperience, not only with sailing but with life in general, do not make him any less of a man in comparison. Later incidents demonstrate that their relationship may have been different if Krystyna was not in the picture. The hitchhiker's pocket knife, seemingly his most prized possession on his person, becomes a symbol of that power struggle between the two men. If the three emerge from their sailing trip alive, they may be forever changed by their encounter.
是一部值得反复解读的电影，看似是简单的故事背后却蕴含了深刻的隐喻与对两性关系的解读，导演对于节奏与镜头的把控很老辣，成熟的不像是一部处女作，算得上与祖与占齐名的两男一女的电影了！
水中切不开任何东西
很难想象波兰斯基拍出这部名留影史电影的时候，地球另一边中国正在经历残酷严重的饥荒。
【B】分类:惊悚？？？
调度很精彩
单论电影，真牛，真是隔着屏幕都能感受到的才气和锐气。虽然这部胜在文本，但是还是想感叹摄影和镜头，极美，同六十年代欧陆的影像简直格格不入。
这能是处女作？？？？
所有人脸前景构图都无比惊艳，叙事的摇摆性犹如新手驾船，老辣藏在摇摆后，真的很难相信是首作。
闷骚。
三星半，这个青年真讨厌
摄影和调度都成熟得不像首作
不行我感觉有点无聊，一切冗长的发生于单一狭窄场景的平铺直叙，两男的看起来可笑的胜负欲与针锋相对
剧情很无聊
我局得1般
中产阶级的盲目自大，青年人思想游离、无所事事。无端的暴力与挑衅，冲突一触即发 却又活生生的闷死了。（极度别扭的观影感受// 波兰斯基又拿捏了