剧情介绍
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In 1985, filmmaker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles and filmmakers. The Austin Film Society raised enough money to fly in their first out-of-town invitee, visionary experimental filmmaker James Benning. Accepting the invitation, Benning met Linklater and immediately the two began to develop a personal and intellectual bond, which has lasted through the present. After the cult success of "Slacker" (1991), Linklater has gone on to make award-winning big budget narrative films including "School of Rock" (2003), "Before Midnight" (2013) and "Boyhood" (2014). Benning, meanwhile, has stayed close to his modest roots and is mainly an unknown figure in mainstream film culture. Combining filmed conversations and archival material, "Double Play" explores the connections between the work and lives of these two American visionaries.
a gentle piece of cinema about two gentle filmmakers
是Linklater 的拥趸，特看此片，听两电影人聊天。Linklater 在录制本片时53岁，他谈到自己青春往事时，我依然听出他非常青春年少的内在。
班宁住山里，有点惬意。简直是房树人的理想。
需要重看一下
林克莱特：我们都受三幕剧结构的压迫。 班宁： 我们午饭的时候可以好好争论这个问题哈哈。 班宁在《麦吉的农场》就用了三幕的结构，误入电影歧途的艺术家跟林克莱特这种影迷型导演的差距，班宁的电影里没有压迫和反抗
通过林克莱特了解詹姆斯本宁，纪录片的调子也和两位导演风格异常符合
不认识benning居然也不影响观看
看过留脚印~
除了同为棒球出身外，这两人其实还展现出了好几个共同点。虽然完全不是影迷，但会受Deren的影片和Cage的《芬尼根守夜人》的影响，组成本宁创作动机的源泉还挺耐人寻味的。
@cccb 看着班宁与林克莱特两个完全不同的人这样随意地聊着天，突然就想起莎士比亚亨利六里“我的光明只能是黑暗，我的白天只能是黑夜”这样不相干的一句话，大约他们的融洽就是这般不可思议又仿佛本该如此。
http://www.bilibili.com/video/av10978088/
班宁和林克莱特两个风格完全不同的人居然是老朋友，听他们讲自己的电影，自己的经历，自己的理念，打篮球，打棒球，卖萌......就算没有什么太惊喜的讨论我也愿意这么一直听下去。 7.5分★★★☆
James Benning's John Cage moment.
#MIFF It's all about time. 粉嫩的Ethan Hawke好惊喜！