剧情介绍
塞莱丝汀（让娜·莫罗 Jeanne Moreau 饰）从巴黎来到法国乡村当家庭女仆，她发现女主人蒙泰尔夫人（弗朗索瓦丝·吕加涅 Françoise Lugagne 饰）冷漠自私，不让丈夫近身；而男主人蒙泰尔先生（米歇尔·皮寇利 Michel Piccoli 饰）欲火旺盛，只能靠打猎发泄；女主人的父亲（让·奥泽恩 Jean Ozenne 饰）态度和蔼，却是个恋足癖。管家约瑟夫（乔治斯·格莱特 Georges Géret 饰）对塞莱丝汀恶声恶气，邻居退伍上尉马格（丹尼尔·埃文奈尔 Daniel Ivernel 饰）看不上蒙泰尔一家，日日滋事…… 正当塞莱丝汀打算离开乡村重返巴黎之时，一件意外的命案却让她改变了主意……
本片获捷克卡罗维发利国际电影节最佳女主角奖（让娜·莫罗）。 Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and women) and her father is a shoe-fetishist. Joseph, the farm-labourer is a fascist and sexually attracted to Celestine. Celestine settles herself and talks to the neighbour, an ex-officer, who likes damaging his neighbour's things. After the death of the old man, she quits her job, but because of the rape and murder of a child 'Little Claire' she decides to stay, believing that Joseph is the murderer. To get his confession she sleeps with him and promises to marry him. In spite of her engagement she fakes evidence to implicate him in the murder. He is arrested, but is released because the evidence is inconclusive. She marries the ex-officer and takes on a housewife role similar to that of Madame Monteil
本片获捷克卡罗维发利国际电影节最佳女主角奖（让娜·莫罗）。 Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and women) and her father is a shoe-fetishist. Joseph, the farm-labourer is a fascist and sexually attracted to Celestine. Celestine settles herself and talks to the neighbour, an ex-officer, who likes damaging his neighbour's things. After the death of the old man, she quits her job, but because of the rape and murder of a child 'Little Claire' she decides to stay, believing that Joseph is the murderer. To get his confession she sleeps with him and promises to marry him. In spite of her engagement she fakes evidence to implicate him in the murder. He is arrested, but is released because the evidence is inconclusive. She marries the ex-officer and takes on a housewife role similar to that of Madame Monteil
从古至今…都是那点事儿
我只能说女主slay，导演真的是女权战士
有点没看懂
【7分】女仆是某种闯入者，而且是不安于身份定位的闯入者，因此她搅乱了本来稳固的家庭权力结构。布努埃尔在处理阶级尤其是布尔乔亚的时候在一些小细节上总会有点幽默的讽刺，很喜欢。但凶杀案之后突然带上noir色彩，走势也变得怪怪的。
在布努埃尔较少超现实元素的电影中，时常感受到阶级与思想的差异，但并不是对立一般展现出来，而是这种思想的差异混合在一起，已经潜移默化渗入到了生活里。譬如女主角是女仆，但却有着时髦新女性的行为，应付男主人游刃有余。而同为女仆的另一名女性，是完全的乡下农民，对于男主人的反应也十分契合思想与身份。这些差距就像是把一条线段与一个苹果放在一起，也许这就是超现实的本源。
我明白布努埃尔想表达什么，但他这回没能表达的更精确导致节奏是有比较明显的缺陷的（看15年版的剧照，蕾雅赛杜大概率是借鉴了让娜莫罗的表演，让娜莫罗在本片中的表演也确实厉害）
好在哪里，妙在何处？
看了雷诺阿版，他更侧重展现资产阶级的破落，而布努埃尔版更侧重展现资的荒淫无度和社会的反犹。雷诺阿是日记出现，女主的行为逻辑都交待得很清楚，而布努埃尔有点儿两截，前半段展现老爷的荒淫无度，展现女主人的性冷淡，女婿的欲壑难填，这都是他擅长的，所以特别流畅，但后半截反歧视犹太这个主题由暗线成为主线，就不灵了。前半截女仆泰然自若，但你不知道她的目的是什么，面对男人对她的欲望，她好像冷眼旁观一群人出洋相，但后半段犹太小女孩惨死，女仆一下有了人生追求，她献身取得嫌疑人的信任，然后设局让他进监狱。可整个大环境排犹情绪十分高涨，结尾出就是一个嘉年华，人人表达对血统纯正的迷恋。最后，女主嫁给了邻居，成为阔太太，在自己的床上得知嫌疑人很快就会被放出来，她会受到报复吗？戛然而止我们不得而知！这好像是对雷诺阿的回应
这他妈到底是什么破剧本，他妈的这女的到底在干嘛？拍了几个神经病，女主是最傻逼的。
乱七八糟，支离破碎
再一部布努埃尔。让娜莫罗给人难以捉摸的感觉，也就给影片本身蒙上一层雾霭，偏讽刺又尖锐，无论是《夜》还是《女仆日记》。
拎得清有能力，是个好姑娘。
没有一个剧情走向是在我意料之内的，老布的讽刺依然高级又幽默。
2023，标记第501部
解说