剧情介绍
二次大戰後期的1944年春天，駐防於烏克蘭邊境的羅馬尼亞小部隊迎接了德軍高級將領的來訪，雙方期待的是對方能夠為他們帶來豐盛的一餐。
席間德國指揮官出示了一張全世界只剩兩張的珍貴羅馬尼亞「原牛頭像」郵票，只是，這張稀罕的郵票卻瞬間離奇地消失。全片在既封閉又開放的空間中拍攝，以精湛的劇場技巧刻劃出人性的荒謬。 It is the end of the Romanian war against the Soviet Union (but not the end of the WWII), as Germany and Romania are allies, but in a few weeks they will be enemies. Two German officers stop for a lunch with a group of Romanian officers and as the story develops, a pair of rare postage stamps are acquired in very different occasions, which underlines the differences between the group of officers. This deceptively simply short film has many complex ramifications about history, honor, about how material value translates in life and survival.
席間德國指揮官出示了一張全世界只剩兩張的珍貴羅馬尼亞「原牛頭像」郵票，只是，這張稀罕的郵票卻瞬間離奇地消失。全片在既封閉又開放的空間中拍攝，以精湛的劇場技巧刻劃出人性的荒謬。 It is the end of the Romanian war against the Soviet Union (but not the end of the WWII), as Germany and Romania are allies, but in a few weeks they will be enemies. Two German officers stop for a lunch with a group of Romanian officers and as the story develops, a pair of rare postage stamps are acquired in very different occasions, which underlines the differences between the group of officers. This deceptively simply short film has many complex ramifications about history, honor, about how material value translates in life and survival.
1）大俯角 2）全景固定长镜 3）舞台剧式的调度 基本看完了平特莱的作品 镜头调度和社会寓意上大体与同时代杰出东欧导演相仿 戏谑的是 六十年代的《重建》是其风格的集大成 创作力最旺盛的二十年左右时间几乎没有机会执掌导筒 九十年代之后的文学改编文本到底还是中规中矩些 更像一个暮年的舞台剧导演用舞台剧语言来发声
一般
I want Romania to have the population of China and the destiny of France!
4.0。1.平特莱寓言附体，半开半闭玩群戏。2.导演在片尾自主快进全片，这手笔很像戈达尔[社会主义]预告。3.群戏玩法，想到某年奥斯卡动画短片[探戈]。
尊严与荣誉。伟大的文学传统。
一条一条字幕敲着看的……这么看片儿真痛苦。平特莱还是喜欢1）大俯角。2）全景固定长镜。3）舞台剧式的调度。这个故事告诉我们，喜欢炫耀是不好的……当然，这也是再明显不过的一个罗马尼亚的民族寓言。
Lucian Pintilie
德国人怎么就认可了赝品？室内的场面调度不如贝拉·塔尔，室内室外的质感差异有一定程度的展现，但还没想得足够开。
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