剧情介绍
DoP Robby Müller has inspired generations with his ground-breaking camerawork. Director Claire Pijman had access to his personal archive to create an extraordinary film essay that intertwines archival material with excerpts of his oeuvre.
Director of Photography Robby Müller is one of the few people in the world who knows how to play the sun. How to catch its rays like butterflies. How to strike its beams like chords. When Robby moves his camera, the camera turns into a musical instrument. And the whole world dances, radiates, is illuminated. For her extraordinary film essay Director and DoP Claire Pijman had access to Müller's personal archive: thousands of Hi8 video diaries, personal pictures and Polaroids that Müller photographed throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice. With his ground-breaking camerawork, inventive lighting methods, his exceptional sense for the depth of colour, and the freedom of framing, plus his ...
Kees 摄影课放映。
8.0 一定要看!擦擦擦擦擦擦擦擦擦 内容也没啥 穆勒的私人影像集 没往深了拍 可惜了
robby muller 1940-2018 he lives in films and memory, strong as on earth.
我们可以设计一些让他们说“快要下雨了”得台词,不要被剧本限制住。 尼古拉斯雷曾经说过,如果你只是按照剧本的话,那又何苦呢?
致敬罗比的影片
2020.1.11 歌德学院 #艺术家肖像#
文·溫德斯、吉姆·賈木許的御用攝影師。拉斯馮提爾的手持風格電影亦都有涉及到。對研究羅比穆勒的攝影哲學是一部很好的入門紀錄片。影片裡羅比最讓我深刻的是他平常利用手提變焦錄影機捕捉到事物最細微變化的另一面。即使連寄給母親的錄影帶也拍得非常漂亮。自然的光影變化、吹動的風,與李屏賓等的攝影大師有著相似的觀念。技術熟練極致的背後影片導出最重要的信息,對於羅比來說相較於漂亮的畫面,情感表達對於影片更為最重要。★★★☆
全员尬吹。
一般般的纪录片, 永远珍藏的Robby
想起来The Eye of Orson Welles,那部用Orson的画,这部用Robby多年拍摄的影像。是虽然不深入但是很温柔的片子。还有太多执念没有讲到(和Wim的关系,和塔尔的合作,语言与身份,数字与胶片),但证实了我的一个猜想那就是Robby很喜欢Rudiger(歪,贾木许的配乐动人。
希望资料馆的文德斯展可以抢到几张。。。
Master of light……You Are the only one here with HALO
又碎又没讲到点子上,不过几位合作导演还是很实诚的。
HKIFF19 7/10 惊喜听到大卫林奇电话留言。属于比较鸡肋那种纪录片,文德斯和罗比穆勒粉丝必看,但看下来也不是很有意思,私影像集合,却不是很有体系,纪念性质更大。大段大段拼贴不及节选《德州巴黎》的几个影像片段有说服力。果然,普通导演和文德斯这种作者导演的差距太明显,《皮娜》就是例子。
2019.3.1格拉斯哥电影节。零碎的浮光掠影连缀,颇有点“形散神不散”的意味,但比之《薇薇安》仍是缺乏叙事性:事实证明访谈的惊艳程度依旧比不上黑白叙事与色彩溢出的胶片感