剧情介绍
位于亚洲西南部的安纳托利亚,一个远离城镇的蛮荒山区,肃杀静谧。正是黄昏时分,自山路的另一头驶来三辆汽车,最终停靠在路边一处喷泉旁边。车上的人走下来,似乎在辨认着什么东西。原来不久前发生一起命案,嫌疑人将尸体掩埋在荒原的某个角落。被捕后,嫌疑人带着当地的警察、法医、来自主 城镇的检察官以及其他不同身份的人四处寻找藏尸地点。犯人依稀记得几个标志性物件,却无法确定哪里才是真正的藏尸地。这群人彻夜奔波在山谷中,无聊之时便随意聊天,诉说着心中的隐秘以及对现状的不满。漫漫长夜似无尽头……
本片荣获2011年戛纳电影节评委会大奖、2012年都柏林国际电影节影评人奖最佳导演奖、2011年亚太电影节最佳摄影、最佳导演和评委会大奖。 In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's exact location. As the group continues looking, its members can't help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected.
本片荣获2011年戛纳电影节评委会大奖、2012年都柏林国际电影节影评人奖最佳导演奖、2011年亚太电影节最佳摄影、最佳导演和评委会大奖。 In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's exact location. As the group continues looking, its members can't help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected.
前半段太闷,要不是风吹麦浪和雷闪下的怪石脸,估计已然睡着。结尾还不错,成全了该成全的,也就成全了自己。
醉翁之意不在酒,探寻案件只是表面,背后的芸芸众生才是主菜!
很喜欢的锡兰味儿
“时间仍在流转,而我什么痕迹也不会留下,寒冷和黑暗萦绕我疲惫的灵魂……”
风格化强烈的土耳其电影,银幕上的每一个人都被赋予了一种符号般的意义,但通篇看下来还是感觉人物不够立体,或许是想要那种得不到真相的真实感,但这种视觉上的风格化反而弱化了这种感觉。虽说人物和对白繁杂又单薄,片子倒是成功地将观众带入到了土耳其的现实社会当中。
锡兰成功学后继无人,阿彼察邦倒余韵绵长。此片语言包袱太重,后来从俄罗斯文学找因果,又太谦卑了。很不“元电影”。锡兰式努力有害创作。
近期最佳
展现的是各个生存状态,镜头给的是草蛇灰线,大量的隐藏剧情要循线追溯。讲述的一点也不少。
好漫长好煎熬的电影啊,分了三次才看完。电影里的一个夜晚比我的夜晚还要长,差不多中段才有一点点转折,仿佛最后半小时画面才有充足光源,但更加幽暗的人性却铺满了人物的脸与远景。
有点长,有几个镜头是很美,夜灯中翻飞的黄叶,持灯美少女,风中的火焰,每个人都有点故事,但还是闷长了点,不过演员都演得很好。解剖是这样的...
笨拙,故意举重若重
讲了很多,却又像甚么都没讲,一直在尝试打破某种叙事的规则,却无法完全摆脱经典主义的枷锁,几位主演的表演几乎完全是类型片式的有迹可循
太闷,题材并不新奇,小亚细亚也没有奇迹,风光倒是不错。
04/28/2022, @ MUBI. “Still the years will pass and not a trace will remain of me. Darkness and cold will enfold my weary soul.” The landscape and the night as the central figures. 充满细节的梦魇。Private, haunting burden of conscience. 他脸上凝固的死者的血。解剖声与窗外孩子们的嬉戏声。或许不止是”once upon a time in Anatolia”, 而是what’s happening and will always be happening in Anatolia.
每个人都是有故事的!