剧情介绍
吉米（杰米·李·柯蒂斯 Jamie Lee Curtis 饰）是一名刚刚从警校毕业的女警官，全身上下充满了正义感的她怀揣这一刻火热的心加入了警局的队伍之中，希望能为维护城市的和平尽到自己的一己之力。在一场抢劫案中，吉米成功的击倒了匪徒，救下了超市里的诸多人质，可是在事后的调查之中，本应该存在于现场的武器不翼而飞，吉米一下子从女英雄的座位上跌落了下来，遭到了停职检查的处分。
不仅如此，城市里接连发生的凶杀案现场，散落着可有吉米名字的子弹，很显然吉米成为了众矢之的。与此同时，吉米邂逅了名为朗西佛（罗恩·西维尔 Ron Silver 饰）的富商，后者对她展开了热烈的追求。 On her first day on the job, NYPD officer Megan Turner, the lone officer on the scene, shoots and kills the perpetrator of a supermarket hold-up. Since no gun was found on the perpetrator's person or at the scene and none of the witnesses could corroborate Megan's story definitively that the perpetrator was indeed wielding a gun, she is suspended from active duty. She is quickly albeit temporarily reinstated to the position of homicide detective because the spent shell casing from the bullet used in a subsequent murder had her name carved on it. This murder ends up being only the first in a series. Working on the case with fellow homicide detective Nick Mann, Megan initially has no idea who in her life could be the murderer. In short order, the murderer does show himself to her. He is commodities trader Eugene Hunt who she met immediately following her suspension and who she has since dated. He also implies to her that he was in the supermarket at the time of the hold-up and that he fled the scene with the perpetrator's gun. The supermarket shooting caused a psychotic break in him which resulted in among other things his obsession with her. However, beyond his implications only to her of being the murderer, Megan has no hard evidence that would stand up in a court of law that Eugene is indeed the murderer. Megan has to convince her colleagues, especially Nick, that she is telling the truth about Eugene, while stopping him from killing again and equally as important stopping him from his continued psychological torture of her.
不仅如此，城市里接连发生的凶杀案现场，散落着可有吉米名字的子弹，很显然吉米成为了众矢之的。与此同时，吉米邂逅了名为朗西佛（罗恩·西维尔 Ron Silver 饰）的富商，后者对她展开了热烈的追求。 On her first day on the job, NYPD officer Megan Turner, the lone officer on the scene, shoots and kills the perpetrator of a supermarket hold-up. Since no gun was found on the perpetrator's person or at the scene and none of the witnesses could corroborate Megan's story definitively that the perpetrator was indeed wielding a gun, she is suspended from active duty. She is quickly albeit temporarily reinstated to the position of homicide detective because the spent shell casing from the bullet used in a subsequent murder had her name carved on it. This murder ends up being only the first in a series. Working on the case with fellow homicide detective Nick Mann, Megan initially has no idea who in her life could be the murderer. In short order, the murderer does show himself to her. He is commodities trader Eugene Hunt who she met immediately following her suspension and who she has since dated. He also implies to her that he was in the supermarket at the time of the hold-up and that he fled the scene with the perpetrator's gun. The supermarket shooting caused a psychotic break in him which resulted in among other things his obsession with her. However, beyond his implications only to her of being the murderer, Megan has no hard evidence that would stand up in a court of law that Eugene is indeed the murderer. Megan has to convince her colleagues, especially Nick, that she is telling the truth about Eugene, while stopping him from killing again and equally as important stopping him from his continued psychological torture of her.
C。“你这么美，为什么要当警察？”“我喜欢用别人的脑袋撞墙。”→用看似轻描淡写的家暴戏，塑造了人物身份成长动机。手枪的性象征成为全片符号，也是导演毕格罗最具代表的个人风格。开头的下棋对垒、打球斗牛像在暗示二元对立，是正反角二人在心理上的平衡对决，也是女性个体与强权体制的斗争。光看剧情的确有逻辑bug，但厉害之处是开场就摆明凶手（也是始终在暗处的反派最后注定失败的原因），因此近一个半小时都在写心理戏——主角与反派的双主角心理（有些像反用的斯德哥尔摩症）。最显眼的是卡梅隆般蓝色背景衬托下的人物：女主行走旁的蓝光雾气，贯穿始终的蓝色警服，强暴戏周遭的蓝色墙壁，最后决胜戏的蓝色轿车。
毕格罗是真爱枪 动作戏摸枪 性爱戏也摸枪 其实如果硬要从女性主义来分析这片子是可以挖掘很多东西出来的 但如果横向比较毕格罗的创作生涯 就会发现她绝不是一个女性主义导演 这只是她创作尝试中的一步罢了
變態殺人魔巧遇發春女巡警，從此發生一堆慘案，然後兩人拼個你死我活。 胡扯到無法無天。
3.5。腾讯删减大约2分钟。影响观感的问题，差点扣半星、给3星：包括女主角在内的警察都像是业余，一开始应该怀疑反派甚至重点排查他，后期女主在抓捕罪犯时给搭档铐手铐也差点害死他，种种衰事比比皆是
从具体的剧情来理解显然是荒唐的，然而坚守上帝视角，坚信权力存在某种绝对正确打开方式的毕格罗什么时候擅长过超越感官体验的抽象表达呢。既然厘不清性别这滩浑水，当然还是要用人见人爱一视同仁的枪来解决问题咯。
第一次看毕格罗，满引人入胜。都说逻辑给狗吃了...但看的真的很爽啊。只要视听和演技到位，剧情什么果然是可以松一松手的...可以从类型片的角度分出发分析
不好看吗？好吧是很陈词滥调，但是让我思考了很多。啊原来导演是女的，难怪思维方式很不一样！很好啊！就算不专门处理女性主义的线也很好啊，为什么很多人在批评，哼
主角的一系列动机和决定确实缺乏过硬的逻辑，但我以为这部片子更多地要讨论一个新警察是怎样必须自己去结束自己打开的这个loop的（片头片尾场景呼应），尤其是一名面对对于“女警察”嗤之以鼻的男性和环境，以及家暴父亲作为Megan成为去当警察的主要原因，更多想说的是个体要怎样自己去完成只有自己能完成的使命。Bigelow当时片中strong female power的线索虽然隐蔽但也清晰可见。
从导演到女主都是冷硬之中带股骚气，时不时有种吴宇森乱入但发现子弹会打完的感觉，杀手完全不合逻辑的bug设置反而更瘆人，配乐也是相当出色
开局不错，后面太费解，没必要的面。
八九十年代的毕格罗跟卡梅隆的作品是真牛逼，到了千禧年之后则堕落的不成人样，也不知是脑子受刺激还是咋地，双双变白左
豆瓣常用标签里有“烂片”😂 这电影坏就坏在剧情实在太蠢了，毫无逻辑地瞎编，一般人我根本忍不了。但毕格罗是一个很有天赋的导演，她把这样一个像满是Bug游戏的破剧本，拍出了黑色电影甚至情色片的味道，倒数第二场戏虽然逻辑被狗吃了，但让观众跟着罪犯的视角体会偷窥的快感，太刺激了
照理，这只是一部普通的菜鸟警察成长史，故事情节基本照着类型套路在走，心理动机逻辑关系也交代的有些模糊散乱。可由于毕格罗把每个俗套环节中的核心元素都放大重组杂糅到令人意外甚至错愕的程度，使你几乎已忘掉了叙事缺陷而饶有兴致地去玩味它的邪魅酷爽。此观感上次发生还要追朔到唐希格尔的阵容。
7分。不可否认，剧情逻辑上存在很大问题。但是这样一个表面上寻枪的故事，内核拍的却是枪械崇拜。整体风格也是冷峻至极，正反派之间甚至有着一种《沉默的羔羊》似的博弈。毕格罗又一次去性别化的成功。
也是录像带时代看的，女主中性的扮相给我留下很深印象，让我想起女金刚纳夫拉蒂诺娃或Annie Lennox。。后来看《真实的谎言》，老觉得州长太太像谁。。今天才知道都是柯蒂斯。。嘴老称柯蒂斯演的州长太太"为巨片最丑女角之一，窃觉唯星战一集的公主可堪匹敌"，哈哈哈哈哈哈哈哈。。