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In 1977, Sam Klemke started obsessively documenting his entire life on film. Beginning decades before the modern obsession with selfies and status updates, we see Sam grow from an optimistic teen to a self-important 20-year-old, into an obese, self-loathing thirty-something and onwards into his philosophical fifties. The same year that Sam began his project, NASA launched the Voyager craft into deep space carrying the Golden Record, a portrait of humanity that would try to explain to extra terrestrials who we are. From director Matthew Bate (Shut Up Little Man! An Audio Misadventure), Sam Klemke's Time Machine follows two unique self-portraits as they travel in parallel - one hurtling through the infinity of space and the other stuck in the suburbs of Earth - in a freewheeling look at time, memory, mortality and what it means to be human.
压缩人的一生太沉重了，to answer the nature of who we are 也太沉重了，在时间里留下的印记却太轻了。unbearable significance of nobody
那位制作者把好端端的素材搞得有点烂
生活，爱情，事业，政治，理想。三十五年的时间，能坚持下来值得佩服。
很真实的纪录片了！积极生活吧！
真实的力量永远超出想象！
Sam Klemke's Time Machine
山姆.克莱默克是一个电影爱好者，他19岁那年也就是1977年突发奇想开始用摄像机纪录自己的生活，年复一年他纪录了35年，由意气风发的牙套少年一直纪录到自己两鬓斑白，失落，梦想，亲情，爱情，包括35年来世界发生的科技变化政治变化都一闪而过，他的个人生活平凡的不能再平凡，他把自己的故事上传到脸
前三分之二廢柴成長日誌 無論多廢、人生整沱爛到谷底、肚子凸到跟富士山一樣高、年過三十還家裡蹲都要紀錄下來的態度 既是scum精神的最高指導原則又是家庭檔案的終極實踐者吧 RESPECT 後半導演想玩後設有點解嗨但整體算瑕不掩瑜啦 總算是有再一起跳一支舞的
個人紀錄片，最後才暴露出對網路影像世代的反思。看一個在youtube年代前就在拍攝自己的男人，35年下來，他對自我攝像的定義，比多數網路人走得更遠，但也更困惑。最後半小時塞滿辯證，略讓電影失衡。