剧情介绍
名导演维托里奥·德·西卡所导演的本片是一部群星喜剧戏，它可以分为三部。第一部讲述的是，一个在黑市里专门卖外国香烟的女人从未尝过铁窗的滋味，因为当时法律规定不逮捕怀孕的妇女和产后六个月的妇女。所以在产后，就催丈夫作爱，因此逃过了入狱的命运，不过最后因怀孕失败还是走进了监狱。第二部讲述一位富婆迷恋比她年轻的作家，二人一次开着高级轿车兜风，因二人气氛热烈而导致撞车，富婆顿觉索然无味，遂拦车扬长而去。第三部讲述一位高级妓女与一位神学院的学生相恋，妓女摆脱了恩客的纠缠，但经不住神学院学生的老父母恳求而不得不与学生分手。学生走后，其恩客仍被打入冷宫。本片分别以三个都市的风格为代表，充分地刻划出意大利人的气质，男女主角都有精湛的演出。
Three different stories of Italian social mores are presented. In "Adelina", unemployed Carmine Sbaratti and his wife Adelina Sbaratti survive through Adelina selling black market cigarettes on the street. They are unable to pay for the furniture they bought (which is under Adelina's name), but are able to avoid the bailiff when he comes for the money or to repossess. They come up with a longer term solution to avoid Adelina being prosecuted for non-payment, but that solution has a profound effect on the family, especially Carmine. In "Anna", Anna Molteni, the spoiled wife of a successful businessman, and an artist named Renzo are on the cusp of an affair. Anna is feeling neglected in the marriage, as her husband seems more concerned about success and money than her. But a car accident shows both Anna and Renzo if an affair with each other is really what they want. In "Mara", Mara is a prostitute who works out of her apartment. She befriends Umberto, a young man visiting his grandparents who live in the adjacent apartment, the balconies of the two apartments which are adjoined. Umberto, a seminary student, seems to be attracted to Mara as a woman without really knowing what she does. Umberto's grandmother, who knows what Mara does, believes Umberto's seeming romantic infatuation with Mara will be his downfall. As Mara and Umberto's grandmother ultimately join forces to get Umberto to do the right thing in life, Augusto Rusconi, one of Mara's regular clients who is in town from Bologna, does whatever he can to get Umberto's family issues out of the way so that he can get on with his own wants with Mara.
第一段欢乐，第三段忧郁。真佩服德西卡，把第三段妓女与神学生的对话表现得如此美且忧伤，又不sentimental，配乐尤其适配。 / 意大利电影怎么能这么吵。其一，意大利语就像在吵架一样；其二，意大利人好像有无穷的生命力一样。难怪出现费里尼与帕索里尼这样的导演；可为啥又有德西卡、罗西里尼这样冷静的导演；又有安东尼奥尼这样的神秘者。 / 印象中的马斯楚安尼一直是个忧郁的诗人，直到这部电影发现他是个猥琐气质的中年人，哈哈。
晚来天欲雪，能饮一杯无。好想和导演喝次大酒。谢谢，谢谢。人生急行路，忘停抱回树。
3个故事，1和3有意思，2比较短。又看见马塞洛和索菲娅罗兰搭档！！
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第一段最好，调度灵活，底层意大利女人的热辣风情，恍惚费里尼
第一个故事很可爱，搞笑又温情的意大利人与意大利式爱情，与圣母街上的大人物联动了，好喜欢。剩下两个故事则没有那么吸引人。
第一段故事明显优于后面两则，“昨日”结束后，后面的故事变得索然无味
比不上帕索里尼
一开始那个剧情跟闹着玩似的，但是索菲亚罗兰太好看了，多给一星
热辣、轻松、诙谐、暗含讥刺。意大利三城（那不勒斯、米兰、罗马）的不同气场。昨日穷苦底层生育避铁窗，今日做权势之顶撞坏拉斯莱斯，明日戏谑宗教又信守一个誓言。第一段格外有意思。
三段意大利喜剧，表现了三座城市三个阶层的男女关系，第一个故事最长也最有趣。德西卡开新现实主义之先河，喜剧正剧也都手到擒来。比起贵妇，索菲亚罗兰演底层女性似乎更加得心应手。马斯楚安尼的声音真是太不适合录音了。
夸张而戏谑 色彩明快 表演张扬奔放 罗兰是那个时代的银幕标志
怎么表达我对vittorio的喜爱 意大利女演员是稀奇的瑰宝。好敞亮的女性角色。男演员，内斯塔如果没有镜头恐惧症也能演电影 第三部恩客，蠢得和头驴一样，还得跪着求她和他做爱，笑飞
索菲亚罗兰太可爱了
第一段好看。索菲亚好热情洋溢