剧情介绍
为了写作，哲学老师玛丽昂（吉娜·罗兰兹 Gena Rowlands 饰）租了一间工作室。某日，正在专心工作的玛丽昂听到排风口里传来了谈话声，原来，隔壁是一个心理诊所，鬼使神差之下，玛丽昂开始偷听起了患者对医生的倾诉。患者是名叫霍普（米亚·法罗 Mia Farrow 饰）的女子，通过霍普的倾诉，玛丽昂陷入了深深的沉思。
在众人眼里，玛丽昂是一个事业有成婚姻幸福的成功女人，但日日压抑在心中的究竟是怎样的情感和念想，这只有她自己才知道。霍普的痛苦倾诉勾起了她审视自身的欲望，而和旧时好友的重逢让玛丽昂越发觉得富足的生活早已千疮百孔。是将错就错还是重新来过？站在五十岁的人生交叉口，迷惘的玛丽昂不知该如何选择。 Having recently turned fifty, Marion feels that she has led a so far blessed life. The well-respected Dean of Philosophy at a women's college, she is currently on sabbatical to write her latest book. Although her first husband Sam died tragically fourteen years ago from a mixture of alcohol and pills, she has recently remarried to Ken, who, married at the time, pursued her, while Ken's writer friend, Larry, also professed his love for her. She has a good relationship with her step-daughter Laura, seemingly better than Laura has with either Ken or Laura's own volatile mother, Kathy. Between her and her brother Paul, Marion always had the attention of their academic father. And she and Ken have a wide circle of friends with who they regularly and willingly socialize. But a series of incidents with these people in her life makes Marion wonder about the decisions that she's made, most specifically whether her cerebral and judgmental nature has been alienating to those around her. One of these incidents is the surprise reunion she has with her best childhood friend, an actress named Claire. But arguably the most illuminating incidents involve encounters with Hope, a despondent patient of her workspace neighbor psychiatrist, whose therapy sessions Marion can hear through the building's ventilation system. The questions become if Marion will fully be able to comprehend the extent to which these decisions have negatively affected her life and relationships, and if so if she can make the necessary changes at this stage in her life path to be more fulfilled.
在众人眼里，玛丽昂是一个事业有成婚姻幸福的成功女人，但日日压抑在心中的究竟是怎样的情感和念想，这只有她自己才知道。霍普的痛苦倾诉勾起了她审视自身的欲望，而和旧时好友的重逢让玛丽昂越发觉得富足的生活早已千疮百孔。是将错就错还是重新来过？站在五十岁的人生交叉口，迷惘的玛丽昂不知该如何选择。 Having recently turned fifty, Marion feels that she has led a so far blessed life. The well-respected Dean of Philosophy at a women's college, she is currently on sabbatical to write her latest book. Although her first husband Sam died tragically fourteen years ago from a mixture of alcohol and pills, she has recently remarried to Ken, who, married at the time, pursued her, while Ken's writer friend, Larry, also professed his love for her. She has a good relationship with her step-daughter Laura, seemingly better than Laura has with either Ken or Laura's own volatile mother, Kathy. Between her and her brother Paul, Marion always had the attention of their academic father. And she and Ken have a wide circle of friends with who they regularly and willingly socialize. But a series of incidents with these people in her life makes Marion wonder about the decisions that she's made, most specifically whether her cerebral and judgmental nature has been alienating to those around her. One of these incidents is the surprise reunion she has with her best childhood friend, an actress named Claire. But arguably the most illuminating incidents involve encounters with Hope, a despondent patient of her workspace neighbor psychiatrist, whose therapy sessions Marion can hear through the building's ventilation system. The questions become if Marion will fully be able to comprehend the extent to which these decisions have negatively affected her life and relationships, and if so if she can make the necessary changes at this stage in her life path to be more fulfilled.
我去…..完全不敢相信这是伍迪老头的电影
最后一场戏和女人内心话剧的场景调度太细腻了，心理和音乐
3.5 剧本文学性很强，繁复细腻，色调陈润，但总感觉缺了点什么。似乎纽约的秋叶，中央公园里的急雨，都落不到穿格绒夹克的知识分子的身上。
8.5# 怎么可能将一生的种种风光抛却身后 更何况当下已是索求变成理应的年纪——但却真的发生了！ 一个过分缜密的文本借由惨淡的死亡在午后钻出排风口（让我们承认这是Woody Allen的上乘） 通过死 这活跃着灰色的光 且微微喘息着的困境 我们看到了生之须臾 或者说 须臾之间 生意识到了恶的惯性 及其引爆的不满 就像女人通过另一个女人反身自观 通过思绪往回朝着过去的自己行驶一般 但却不只是她-她们 还有我：写作-我 因为细密的阻障 文字无以为继的下午 突然一件小事就可以令我崩溃/亲密关系-我 假装和真诚的分界时常令人难堪 选择不说的 想说却说不出的 爱是真的浓烈吗？ /人情囹圄-我 我们以何种方式逝去 我们如何将他人朝坏的方向幻想 当然 还有最伟大的Gena Rowlands w/ Shaw
【第3000】精妙的一气呵成的文本与极致复杂的吉娜的面孔加之时有闪现的高直觉场景，铸就了这一超越完美之作，使它不仅浑融，更加具有比起准确不如说是可怕的击打人心的力量。它让人生成为了难解的终极谜题，不论多少年的阅历、多渊博的学识和多稳定的内核都无法填补，人注定要走向空洞，注定要面对无数如泡沫般爆炸的谎言，注定要被回忆和想象困住，在虚无的深井中成为只能倾听自我回声的孤魂野鬼。
非常不喜欢通过外界声音去自我怀疑审视的架构，其实当你的自我画像和他人眼里的你有很大差异才更说明你就在自己的路上，人是不停被经历塑造打磨的多维体，回溯毫无意义，过去某时某刻分叉口的每个选择都有原因，当某天你自己意识到想探索另一种自己，说明你来到了又一个分叉口且准备好了，看完感觉就是夜里思考千条路，醒来照样走老路，徒增不安和焦虑。"她看上去什么都有，实际一无所有"听完我只想扇那个连看上去都一无所有的嚼舌根贱人！
片头萨蒂的曲调神秘又安详~一个女人的“迟暮”与幻想，在梦中与现实间穿梭，于欲望与道德、友情、爱情等关系间品咂、琢磨乃至慢慢涤荡、沉浮，终究于一场雨后，热吻与追忆中，留下片刻、刹那的安稳，就好~一生爱恋、恨恼、离别与追溯，终将恬淡于50岁的笔画中：多一分，是不过如此；少一分，是低吟浅笑。
4.2
#twisted face emoji
“我不知道回忆到底是你拥有的还是已失去的，但长久以来，我第一次感受到了内心的平静。” 暮然回首，一生所求莫过于 "allow herself to feel"
看过了，还不错。
？看到最后脑子突然跳出一句 这简直是我 太煞风景了_(:з」∠)_
gena演谁都像卡萨威帝是真的 太严肃的wa不灵的
3.5
过分欧化而略微矫揉造作