暂无A day in the life of the 21 years old Deniz, who aims to become an actress and makes her living by dubbing movies. After she has split with her old boyfriend she gets to know Diego and spends the evening with him.
In Thomas Arslan’s films, his solitary characters often wander. Whether it is with defined purposes, like the cold thrill of a new heist job in underworld Berlin, or more elusive ones where the city becomes its own maze for reticent self-reflection—the spaces they pass through reveal a subtler internal tension beyond its overt narrative. Words spoken merely provide a clue to what is brewing under the surface, and even when the stakes are high, Arslan’s restrained visuals and minimalist environments render an element of quotidian drawl amongst life’s complexities. //Debbie Zhou. Wandering and Searching: Thomas Arslan’s ‘A Fine Day’[EB/OL]
贴图完毕，转战下一个~
In Thomas Arslan’s films, his solitary characters often wander. Whether it is with defined purposes, like the cold thrill of a new heist job in underworld Berlin, or more elusive ones where the city becomes its own maze for reticent self-reflection—the spaces they pass through reveal a subtler internal tension beyond its overt narrative. Words spoken merely provide a clue to what is brewing under the surface, and even when the stakes are high, Arslan’s restrained visuals and minimalist environments render an element of quotidian drawl amongst life’s complexities. //Debbie Zhou. Wandering and Searching: Thomas Arslan’s ‘A Fine Day’[EB/OL]
阿斯兰柏林三部曲中最好的一部，已经开始将移民后裔作为独立思考的主体。
四颗半
2017017 非常法国的德国话痨片。现代情感话题的探讨，包括恋爱、亲情及与工作的关系。
2002/4/5 art centre