剧情介绍
暂无
The scene is set during the French Restoration at the beginning of the 19th century. Jean Valjean, a galley slave who was sent to prison for stealing food, is now released after serving nineteen years. At first he only encounter mistrust and closed doors; only the saintly Bishop Bienvenu treats him kindly and takes him in. The bishop's truly Christian compassion and humanity not only restores Jean Valjean's faith in the good, but also smoothes his way back to an orderly life. As Monsieur Madeleine, Valjean is soon a wealthy industrialist and popular citizen, even becoming the mayor of a small provincial town. His good fortune departs, however, when he meets Fantine, one of his workers, an unmarried mother who tragically dies of consumption. The well-intentioned Valjean frees Fantine's illegitimate daughter Cosette from the clutches of her insidious foster parents, and looks after her like a father. When Valjean reveals his true identity in order to prevent an innocent man who closely resembles him from being sold into a life of slavery as a result of a police error, he is convicted yet again. Valjean soon succeeds in escaping yet again, however, and manages to live under a false name in Paris for a few years. When Cosette, now a young lady, falls in love with the young attorney Marius Pontmercy, Valjean forbids the match - because he has fallen in love with the young girl himself... At this point, however, Marius finds out about Valjean's disreputable past and about Valjean's love for her and has no choice but to keep him away from Cosette. Valjean, thinking of his former benefactor Bishop Bienvenu, now makes the ultimate sacrifice - he decides to do without Cosette. A short while later Valjean falls seriously ill, but in the face of death he leaves a message of love to the young couple: "There is only one thing in the world that is important - and that is to love each other."
喜欢老两口的看这个比较好，喜欢ABC的就……手动拜拜。里面警长的戏份虽然各种同人衍生感（？）但是气质特别对。最后感化并投河的部分真的……捂胸口。看完还是觉得小马挺讨人厌的，眼神死。顺便父女西皮拍的很明显呢。
这版的沙威也很棒，有原作里那种始终近乎冷漠的沉着和理智！自杀前已经从冰冷的法律工具开始向能理解他人境况的好人转变，但还是跨不过信仰崩溃的（原作）坎……沙威死后冉阿让还很遗憾他没能了解真正的自己感觉吃了一口毒药糖_(:з」∠)_
“我没有向他开枪，因为我看见他身边带着一个孩子。我们代表的是法律，不是野蛮。” 算起来这已经是看了第三遍了。
悲惨世界10周年演唱会http://v.youku.com/v_show/id_XNTE4ODMzMTY4.html 现场乐队、演唱、合唱很好，但是舞台一般，感觉就是主角们在台上站着唱歌而已。
还是6个小时故事讲得清楚
这一版也不错，初中看这版的时候在做英语作业，然后悲剧地把laugh写成了cry，除了Jean Valjean之类之类的长得太难看，其他都不错，不过看原著觉得其实他可以更难看的，直奔钟楼怪人的那种= =！
没看过电影和书的看过这版电视剧之后再去看会更好——那些在电影中模糊阐述的细节都淋漓尽致。
剧情快得像不想动嘴的教师放幻灯片。编剧一定很喜欢沙威。
这里所有人都有自己的信仰。Marius 也好，Javert 也罢，甚至 Thénardier 夫妇也有他们相信的东西。他们各自有各自的的悲剧，因为那个时代，因为自己的信仰。
要说这部mini series哪里印象深刻，大概就是法庭那段，大鼻子让叔一脸正气地宣布“我就是冉阿让！”之后，所有人都嘴张成O形目瞪口呆看着让叔甩甩袖子潇洒离去，没有一个人想起来其实要立刻找几个警卫啥的把让叔扭送派出所，这就是所谓的气场吧……
悲惨世界是我最喜欢的一部小说，小学六年级就啃完了，可谓烂熟于胸。片子只记得是Gégé和John Malkovich主演，但完全想不起来在什么情况下看的了。抽空要复习一遍。
没想到这个片子是大壮和老马合作的。各种经典。稍有改编。音乐悲壮，场面阴郁苍凉，很配一部旷世名作。老马好像特别适合这种内心挣扎的悲剧式人物，前有瓦尔蒙，后有沙威，这个人物层次感之丰富非常令人动容(法语果然很好)。大壮驾驭这类正义勇士角色自然也是得心应手。伤心但悦目。
这是我对德帕迪约的最初记忆…… 这部电影推着我去读原著……
事实证明，我有一个开了头就要做完的好习惯。恩，往好听了说是这样的，哪怕中途我发现这Y其实我已经看过几遍了我还是强迫症从头看到尾。必须尿一记，免得我又失忆。
是的，我是在电视上看的这个版本，由于没了下部，我特意上网上看的，很震撼！