剧情介绍
US - Vaudeville dancer Marion Dixon is with her German manager von Kneischitz on tour in Moscow. Her act includes a gun shooting her to the trapeze, the stage director there wants a copy of this act for the USSR. She falls in love with a Soviet enginer, but von Kneischitz blackmails her with her dark spot in her life, she has a colored baby, to leave Moscow.
US - Vaudeville dancer Marion Dixon is with her German manager von Kneischitz on tour - in Moskau. Her act includes a gun shooting her to the trapeze, the stage director there wants a copy of this act for the USSR. She falls in love with a Soviet enginer, but von Kneischitz blackmails her with her dark spot in her life, she has a colored baby, to leave Moskau.
01/09/23
苏联电影疯狂挪用好莱坞元素,真乃奇观:卓别林cosplay,女主角的葛丽泰嘉宝同款发型和细眉,《第四十二街》的长腿万花筒和俯拍 ecc. 虽是剧情需要,但我疑惑,斯大林时期的苏联观众认识这些么?(现代观众如果没看过足够多老好莱坞电影的话,估计也认不出来。当然,我可以。)
很有苏联意识形态的时代特色 有时候莫名搞笑
真是一部各个方面都好的电影,华丽的转场令人惊叹。最后的种族大融合的场景不禁让人很难过,毕竟90年前的美好愿景,今天看上去却感觉更遥远💔
卓别林马戏团:时代经典,永远的大师苏联马戏团:僵硬的意识形态机器的产品(殊不知卓别林也是你米国左翼分子,还遭受美国政治迫害数十年之久)
撇开意识形态不谈,领先美国起码30年的种族平等意识值得称赞
不歧视肤色是因为没有黑人的概念,应该不能说明本土弱势群体不会被歧视。算了反正只是政治宣传片
…我们都知道这些苏联人想说什么
其实我厌恶斯大林主义比厌恶法西斯主义更甚。
红色好莱坞,苏联音乐喜剧的佳作。斯大林时期意识形态充分展现,种族平等,个人主义和集体主义的握手言和。但除了结尾处阅兵的画像,神圣领袖还是没有出现,电影只是“微不足道“的Socialist Realism的宣传工具。
最后绳索灯光与火焰的歌舞表演令人叹为观止
女主的假睫毛贴得好好
声音+画面蒙太奇很有意思
歌舞片果然是政宣的好利器
反种族歧视 俄罗斯口音式英语 上色版