剧情介绍
暂无
Carl Theodor Dreyer is a young journalist in Copenhagen when he gets involved in the early Danish film industry. He writes scripts and inter-titles, and for some years he is the main editor at Nordisk Film. After those years of apprenticeship he gets the opportunity to direct his first film in 1917. Dreyer wanted his films to carry his personal imprints down to the smallest details, and already in his first silent movies it's possible to find stylistic traits that characterize his entire film production until his last film in 1964. The settings of his first films are naturalistic, but for Dreyer realism is not an art in itself. Only psychological realism is. His main interest is not the outer life, but the inner, emotional life of human beings. Emotions are most visible in facial expressions, and Dreyer's films are full of close-ups of human faces. By capturing the subtle, visual expressions of his characters, Dreyer tries to reveal the feelings they conceal and the storms that are raging inside them. Although many of his films end in tragedy, his intention is always to create a hymn to the triumph of the soul over life. Dreyer's own character was just as complex and contradictory as his film characters. Many of the actors he worked with describe him as a modest, amiable man, who was quiet in his statements, but intense and strong-willed inside. While his outer appearance was utterly self-effacing, he had at the same time an insistent stubbornness, which didn't accept any artistic compromises.
时间太久远了，访到当年的青年演员的孩子，都已经是老人家了，那还能有什么料呢？也就德莱叶本人的影像算比较珍贵好看吧，可真是个优雅的知识分子样啊。
心烦意乱，看不下这记录片，只能快进了，对不起了德莱叶大事，它朝摆脱困境，我定当好好看你的作品
宗教题材的祖师爷辈
我的工作，还不赖，我们行业只有合作，没有勾心斗角，更没有阿谀奉承
片尾看到戈达尔一众新浪潮大咖
无尿点。或许时代太久了
比较平铺直叙的纪录片，几乎没啥观点，对于解读德莱叶还是不太够。
B
该片里藏有一些珍贵的片断
在看此片之前，我还不知道这位大师。。。(/≧▽≦)/
“我坐在电影院里，在面对我的墙上厚重的帷幕被拉开了，灯熄灭了，我面前的银幕上故事真实的上演。他可能让我笑，让我哭，可能我应该带泪而笑，可能我应该嘴角带着笑意的哭，我忘却了时空和日常生活，直到魔咒解除。”
黑白暴君偏执狂
德莱叶对纯粹影像的追求到了几近苛求的地步，这就不可避免地引发了大师与想赚钱的制片方的冲突。当然，看这个琐碎翻译混乱的纪录片真不如看他的电影来得酣畅，分了好几次才看完，累死个人的。
6。回忆片有点无聊，没什么料
目標！