剧情介绍
Hunting for interesting elements for a play, a photographer meets an old man, who has just had a heart attack He tries to save the man's life. In an effort to determine the old man's identity, he is confronted with the old man nostalgic memories.
- Written by Anonymous Hunting for interesting elements for a play, a photographer meets an old man, who has just had a heart attack He tries to save the man's life. In an effort to determine the old man's identity, he is confronted with the old man nostalgic memories.
- Written by Anonymous Hunting for interesting elements for a play, a photographer meets an old man, who has just had a heart attack He tries to save the man's life. In an effort to determine the old man's identity, he is confronted with the old man nostalgic memories.
西亚影史补遗；讲述某剧场摄影师在路边遇到一位心脏病发作的老人，遂将其送进医院救治。伴随摄影师翻阅的老人日记本，他的一生便呈现在我们面前。1、多数电影所谓的诗性叙事总是令观众如坠迷雾难以拨晓，但Saeed Ebrahimifar却拍得很浅显易懂。看似不着边际的人物摹绘实则是按时间循序跳跃并择以重要事件(父亲去世-女儿出生-妻子去世-女儿结婚-外孙出生)作记录节点(空镜头/笔绘创作用以过渡、承接)构成完整的人生回环——非“诗意地生活”，而是在生活中感受诗意。2、从烂漫少年到鹤发老翁，自呱呱落地到撒手人寰，生命未曾停止一步，如同小溪涓涓往前流、石榴花开花又谢，“时间是最伟大的谜”。3、明艳色彩/均衡构图/凸显人物对白声-弱化环境音处理，三扇门及水中虚影隐喻。4、新生婴儿+[查拉斯特拉如是说]，歌赞生命之宏美。（8.5/10）
诗与人生 死即是生 （手法简洁 有意味的反复）
打开一扇门，关上一扇门，楼梯还在，石榴树还在，椅子已空，父母已不在。从孙子到儿子到爷爷，有了妻子，女儿，外孙。车轮滚滚向前，溪水缓缓向前。很喜欢他在家中水池里对着影子抓石榴的画面，一次扑空，两次扑空，最后石榴成熟自然脱落的画面。家里三扇门，一扇里有我，一扇里有母亲，一扇里有石榴。