剧情介绍
售卖佛像的古董商人坎杰（Paresh Rawal 饰）是个无神论者。他把佛像视为玩具，不明白那些花招百出的宗教仪式，希望把女儿培养成飞行员，把儿子培养成板球球员。古董店寄托着他全部的希望和感情。
某一天热闹的祭祀仪式上，坎杰为了把参与活动的儿子揪回去，开了神的玩笑，被教派的头目警告会遭到神的报应。当天天气突然由晴转阴，且引发了一场地震。其它店铺无一受损，唯有坎杰的店被震的面目全非。本以为投了保险可以挽回损失的坎杰被保险公司告知这属于不可抗力的天灾人祸，不在承保范围内。一无所有的坎杰一纸状书把神告上了法庭。而被告人则是那些借助神灵名义四处捞金的教派头目们。一场看似离奇的官司就这样展开，而神灵（阿克谢•库玛尔 Akshay Kumar 饰）本人似乎也对此事很感兴趣，他隐藏在人群中，来到了坎杰身边，也改变了坎杰对宗教的看法…… Kanji Lalji Mehta, though an atheist, owns a small shop selling religious goods, concocting cock-and-bull stories to extract higher fees from his customers for his wares. When, in openly defying God, an earthquake destroys his (and only his) only source of income, with the insurance company refusing to pay up on the basis of it being an 'act of God', Kanjibhai takes God to the court. With many similarly unfortunate people pinning their hopes to him, Kanji's lack of courtroom experience may leave him unable to prove his point - that is, until approached by a man introducing himself as Krishna Vasudeva Yadav. Krishna helps Kanji win his case, his family and helps him find his faith in God, along the way showing how priests can turn religion into a business and that God can be found everywhere, particularly in a house of worship.
某一天热闹的祭祀仪式上，坎杰为了把参与活动的儿子揪回去，开了神的玩笑，被教派的头目警告会遭到神的报应。当天天气突然由晴转阴，且引发了一场地震。其它店铺无一受损，唯有坎杰的店被震的面目全非。本以为投了保险可以挽回损失的坎杰被保险公司告知这属于不可抗力的天灾人祸，不在承保范围内。一无所有的坎杰一纸状书把神告上了法庭。而被告人则是那些借助神灵名义四处捞金的教派头目们。一场看似离奇的官司就这样展开，而神灵（阿克谢•库玛尔 Akshay Kumar 饰）本人似乎也对此事很感兴趣，他隐藏在人群中，来到了坎杰身边，也改变了坎杰对宗教的看法…… Kanji Lalji Mehta, though an atheist, owns a small shop selling religious goods, concocting cock-and-bull stories to extract higher fees from his customers for his wares. When, in openly defying God, an earthquake destroys his (and only his) only source of income, with the insurance company refusing to pay up on the basis of it being an 'act of God', Kanjibhai takes God to the court. With many similarly unfortunate people pinning their hopes to him, Kanji's lack of courtroom experience may leave him unable to prove his point - that is, until approached by a man introducing himself as Krishna Vasudeva Yadav. Krishna helps Kanji win his case, his family and helps him find his faith in God, along the way showing how priests can turn religion into a business and that God can be found everywhere, particularly in a house of worship.
非无神论，是反神棍。“神无处不在”。神不需要你们的钱和食物。信仰只需内心虔诚即可。
6/10130分钟蓝光版
看过但忘了小时候看的感觉很好笑嘿嘿
这场灾难也是上帝的旨意。这在各派宗教的经典中都能找到出处，所以，这无疑是最有力的回答。
神作，我思故我在。印度电影真的什么类型的都能拍，关于宗教、政治、种姓制度等等，全部类型。如果那个国家也能像印度一样什么类型的电影都能拍的话，那么现在好的作品一定百花齐放，震惊世人。
挺好看
影片好似是反宗教，实质却是在更高境界的在推崇宗教。
竟然不怎么跳舞
不只反应了宗教信仰沦为了商业交易的社会问题，还有一点很有意思——有神论与无神论者的关系发生微妙的变化。他们都在相互理解着对方，宗教冲突是否减少？至少从某种角度上说，无神论者才是最虔诚的信徒；至少有神论者在逐渐理解着无神论者、扩大一点包括那些与他们宗教信仰不同的人们。
搞笑的是，莫迪就是最大的神棍，印度政府就是最大的宗教谋利组织
这部片子优点和缺点都很明显，优点就是在印度这种宗教大国，竟然能拍出这种抨击宗教文化的电影来，缺点是男主的结尾还是要靠“神”来搭救，估计是制片方不敢一棍子打死这几千年来的宗教文化，片子不值五分，但我欣赏电影所表达出来的观点。
什么坎吉灭佛，无神论者的主人公在病房看到神启变为有神论者，当然如果他从头到尾都不是的话这片子大抵在印度是拍不出来的。这片也并不是在讨论神的存在与否，也并没有偏袒任何一方。它主要是讽刺宗教的商业化，里面一些台词能令人有所收获，也可能会冒犯他人，不让神的信徒进入庙宇倒对于传统而言有些太激进了，按大多数人观点而言这样神反而会发怒的吧。该片一惊一乍的音效、不合时宜的配乐应该是本土特色的结果，但实在很难与这样的音效同配乐共情，其滤镜也不甚喜欢，尤其是一些阴间滤镜以及高饱和度却又显得奇怪的画面，显得有点俗气。
前期对宗教的批判部分挺有意思，可惜越到后面越拉
尊重每一种信仰包括无信仰，远离洗脑邪教
其实他开始也说了，那些神棍只是挣钱，他们并不是神的代理，所以神做了什么他们也无法为其负责呀，他们只是挣钱时顺便提供一个场所完成人们的信仰寄托，并没有神的授权。批判神棍，批判浪费，要做善事的立意是不错的，阿三的嘴炮也是杠杠的。