剧情介绍
周渔（巩俐 饰）在小镇上从事陶艺工作，美丽善良的她遇上诗人陈清（梁家辉 饰）后，对他的眷恋油然而生。尽管陈清在另一镇上做图书管理员，生活清贫，爱情的力量还是让周渔甘心劳苦，来往于两地只为照顾陈清。慢慢地，她变得有点疲倦。
火车上经常有同车人张强（孙红雷 饰）。张强暗暗为周渔美丽的气质所打动，二人由起初的争拗渐变理解。张强总是在周渔失落烦恼之时为她解忧，帮她找寻陈清诗中所写的湖，感情在暗涌，周渔也在两地、两个男人之间矛盾的徘徊。在张强身上，她感受到强烈的男子气魄和欲望，然而却也离不开孱弱的陈清。
一天陈清告诉周渔，说他要去边疆支教。这一决定最终成全了周渔和张强，还是让周渔看清了该如何决断？ Zhou Yu, a ceramic decorative artist, travels twice a week from her home town of San Ming to Chongyang to visit her boyfriend, Chen Qing, a government worker and budding poet. The two met at a dance while Chen Qing was in San Ming, his old home town, on a business trip. She is the inspiration for the best of his poetry. Zhou Yu is a strong willed woman, whereas Cheng Qing is a sensitive soul. These differences in addition to the growing disparity in their life situations places an unspoken strain in their relationship, despite each truly loving the other. As such, Zhou Yu befriends Zhang Qiang, a veterinarian who travels on the same trains as her. Like Zhou Yu, Zhang Qiang is a strong personality whose emotional temperament more closely matches hers. Ultimately, the three, individually and collectively, have to decide if, and if so how each of the others fits into his/her future life, especially as Cheng Qing has to make a further decision about his professional life.
火车上经常有同车人张强（孙红雷 饰）。张强暗暗为周渔美丽的气质所打动，二人由起初的争拗渐变理解。张强总是在周渔失落烦恼之时为她解忧，帮她找寻陈清诗中所写的湖，感情在暗涌，周渔也在两地、两个男人之间矛盾的徘徊。在张强身上，她感受到强烈的男子气魄和欲望，然而却也离不开孱弱的陈清。
一天陈清告诉周渔，说他要去边疆支教。这一决定最终成全了周渔和张强，还是让周渔看清了该如何决断？ Zhou Yu, a ceramic decorative artist, travels twice a week from her home town of San Ming to Chongyang to visit her boyfriend, Chen Qing, a government worker and budding poet. The two met at a dance while Chen Qing was in San Ming, his old home town, on a business trip. She is the inspiration for the best of his poetry. Zhou Yu is a strong willed woman, whereas Cheng Qing is a sensitive soul. These differences in addition to the growing disparity in their life situations places an unspoken strain in their relationship, despite each truly loving the other. As such, Zhou Yu befriends Zhang Qiang, a veterinarian who travels on the same trains as her. Like Zhou Yu, Zhang Qiang is a strong personality whose emotional temperament more closely matches hers. Ultimately, the three, individually and collectively, have to decide if, and if so how each of the others fits into his/her future life, especially as Cheng Qing has to make a further decision about his professional life.
3.5星。千里送的原型。社会萌VS文艺呆。巩俐多加0.5星。
风格有点像《花样年华》，看到片尾才知道原来剪辑是张叔平，配乐是梅林茂。但相比王家卫，本片拍法还是略单一，很多时候只用中景固定机位表现二人关系，对特写的使用乏善可陈，使得情绪不够强烈，无法让观众快速代入到人物状态里，升格和跳剪出现在大景别里完全没有发挥出应有的效果。节奏不佳，给人松散拖沓之感，再就是服装造型也没有学到王家卫。 不过我仍然觉得这是一部有价值的电影。摄影捕捉了丰富的意象，极力用光线和色调衬托影片诗意的氛围，几处低角度仰拍传递了有趣的空间感，火车前行总以对角线构图出现。周渔存在于另一个巩俐的叙述里，虽然造成表意不明，却也增加了迷离气质。里面的诗我很喜欢，最喜欢的是梅林茂的配乐。
忘记了结尾，最后巩俐有没有跟了梁家辉？印象最深的是巩俐去看望梁家辉，带着吃的。梁在家穿着松垮的背心，用手提着两大摞书，巩俐被他狼狈的模样逗笑，问他这是要干嘛，梁说，要锻炼身体。
有时候女人为了让自己信以为真，便故作姿态的做些特别情绪化的事情，这种偏执的追逐被扣上了文艺的帽子后，所有的不切实际都变得容易理解。女人最后只剩下映照在脸上明媚却冰冷的阳光，清脆又单薄的虫鸣。电影的结局是死，生活的结局是认命罢了。电影里环境氛围烘托的很好，但过于文艺，有点做作了。
把巩俐阿姨拍得这么美绝对是比老谋子还成功的！+1星。
当年商业化宣传的噱头全是误读[弱]~~巩俐眼角眉梢的灵动，张叔平的剪辑，都特别美好[bed转圈] 不过我在想，孙周能从“周渔的火车”一直拍到李冰冰的“我愿意”，那得多大的妥协啊。。。对比以前，现在电视剧里的孙红雷真心堕落
巩俐在这部戏里散发出柔软的光芒，豆瓣评价不高，我却很喜欢这部电影，那种火车声贯穿全剧的氛围，被感情溢满之时，痛苦却无法分清自己想要的是什么东西，绵绵柔情真的就是你想要的吗？生活里爱情是次等的，即使开局的时候无限的甜蜜与美好，磨合之后的粉尘也会让你灰头土脸，一切要看你怎么收拾
巩大姐的片子好久前看的~~~还不错 梁家辉的声音总会把很严肃的题材弄出搞笑气氛
耽于唯美，这样没出路的啊。把一个逼仄的爱情故事用一种自怜自爱的方式来表达，视听很美，但也很造作。
要我就选孙红雷。跟文艺青年除了自虐找抽添堵之外还能干啥。找个土鳖多欢乐啊。
正统文青装逼片
再次承认我不适合看文艺片，除了色彩流动的小镇，几乎什么都没记住。小镇故事多，仅仅一个暖黄调的镜头就可以衍生出许多情节和遐想来。瓷器，清画，红色旋转的裙摆，火车，这些元素糅杂得太乱。片中写诗的男人太虚，不如给猪配种的男人来得有味儿。影片的每一段都太突兀，像一个来不及收场的成人游戏。
巩俐：坐火车上瘾，徘徊在两男之间，抽烟，做爱，迷茫，追求幸福又一无所获，这就是那在瓷器上作画小资得不行的周渔。
这些诗是大面积抄袭聂鲁达的吧
两个人擦肩，你来很远的地方找我，我去很远的地方找你。这种在电影里用尽用烂的桥段，放在周渔身上确让人觉得再合适不过了。你感觉心里明明有个伤口，却自顾自的努力把它撕大、挣开。 或许爱着或许不爱，可周渔明明相信爱情，渴望爱情，却又害怕不美满的结局。偏执的追求与渴望。