剧情介绍
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Born into a wealthy Jewish family, Helmut Newton came of age ensconced in the seductive decadence of an 'anything goes' Berlin under the Weimar Republic. His teenaged apprenticeship under commercial photography pioneer Yva - who perished in the Holocaust - coincided with his family's persecution under the rise of the Third Reich and the emergence of the striking aesthetics of infamous Nazi propagandist, filmmaker Leni Riefenstahl. He escaped with members of his family in 1938 and met his life partner June while in Australia working as a commercial photographer. The couple eventually settled in Paris where Helmut's gradual evolution beyond the, then, conservative confines of fashion photography coincided with the radical political upheaval of 60s France. Interpreting the most traumatic political and cultural shift in German history, Helmut established his artistic legacy by effectively channeling his past into an erotically charged, highly-subversive portfolio dominated by bold 'Aryan'...
Helmut Newton雖然在職業上被視為時尚攝影師，但他的作品既超越了時尚，也超越了攝影。這種才能，也許可以說是天才，讓心裡某種模模糊糊的感覺得到準確傳達，進而引人著迷、思考，這本領真是罕見。可能在AI的才能中，這樣的才能也許是無法實現的。這部電影讓我對攝影的理解明顯提高了。
稍微有点少 有点简单
1.热爱“大女人”：强势、裸体、性感。2.忆柏林，小犹太成长纳粹统治下。3.顽童心，贤伉俪，和夫人June情比金坚。4.合作者齐称赞，有谁不爱他？
我不知道厌不厌女，但物化女性很严重，还让造型师修剪下体的毛，全是裸女，怎么不拍裸男呢
通过纪录片长知识，又认识一位伟大摄影师。
在时尚界任何与众不同的东西都会过于极端带来褒奖和批评，无分对错，因个人的出发点永远都主观狭隘
89.09
Great art makes misogyny look beautiful. It is still misogyny. But it is beautiful.
我很清楚创作者想表达什么，但很可惜没表达出来
百年经典，传奇不再。牛顿把人当作模特，以一种表现主义的形式，拍摄他的幻想和游戏。
很好，一点也不觉得色情居然还有MF🥵Isabella Rossellini声情并茂连比划带说笑死我了，宛如一个喜剧人
到後來只會覺得什麼時尚色情傳奇性都是屁話, 就好像他不談藝術與品味, 在這個下標都要誇張到快中風的年代, 你只要純看作品就覺得這個人的攝影真是太好玩了
桑塔格挺自以为是的
上四星。他活了下来，并且留下了美丽的作品。
原来看的不是这一部。 0819#b站看的剪辑版。是摄影师的妻子june视角。看完感觉好可爱一老头。七十多岁对工作对摄影仍富有激情。“总有人说我在物化女性。我只是在塑造我理想中的女性。不是女性化的模样。总是富有力量。”“不是想象。我拍摄的是残酷的真实。”